Forecourt and Fountain

Provenance

Camera
Nikon F100
Film
Fujifilm Velvia 50 · 35mm · ISO 50
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Dark statue on a circular plinth in an overgrown planter, right foreground. Cracked asphalt courtyard with dry grass through the breaks. Multi-storey concrete apartment block, ivy covering the left flank. Mine headframe visible on the roofline. Cloud-scattered bright sky. Deep shadow across the building's left face.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

A dark statue on a circular plinth in an overgrown planter at the base of a concrete apartment block at Ikeshima, with the mine headframe visible on the roofline against a bright sky.A dark statue on a circular plinth in an overgrown planter at the base of a concrete apartment block at Ikeshima, with the mine headframe visible on the roofline against a bright sky.A dark statue on a circular plinth in an overgrown planter at the base of a concrete apartment block at Ikeshima, with the mine headframe visible on the roofline against a bright sky.A dark statue on a circular plinth in an overgrown planter at the base of a concrete apartment block at Ikeshima, with the mine headframe visible on the roofline against a bright sky.A dark statue on a circular plinth in an overgrown planter at the base of a concrete apartment block at Ikeshima, with the mine headframe visible on the roofline against a bright sky.
01 PROVENANCE

Print datasheet

Title
Forecourt and Fountain
Series
Ikeshima
Catalogue
IKE-034
Process
Giclée
Captured
17 January 2026
Camera
Nikon F100
Film
Fujifilm Velvia 50
Format
35mm
Film ISO
50
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Nagasaki, Nagasaki, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Nagasaki, Nagasaki, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A statue on a circular plinth rises from a planter at the base of one of the reinforced-concrete apartment blocks at Ikeshima Coal Mine. The planter is overgrown, the courtyard asphalt cracked and threaded through with dry grass. Dense ivy has climbed the building's left flank. Behind the roofline, the mine headframe still stands against a bright, cloud-scattered sky, deep shadow falling across the building's left face. The apartment blocks at Ikeshima were a product of the island's constraints. Mainland coal towns spread in low timber rows; Ikeshima, with an area of about 1.08 km², had no room to do that. Matsushima Coal Mining built upward in reinforced concrete, stacking a population that reached 7,770 at its 1970 peak into towers with communal bathhouses and shared laundries. Rent just before the closure was about 400 yen. The mine began commercial output in 1959, the last new colliery to open in Japan, and worked an entirely undersea coalfield reaching down to about 650 m below sea level. The first vertical shaft was completed in 1967; the second in 1981. Peak production came in 1985, with more than 1.5 million tonnes raised that year. By the time the mine closed on 29 November 2001, approximately 44.54 million tonnes of clean coal had been won over the life of the operation. After the closure, about 2,500 workers were dismissed and most residents left. The population had fallen to 111 by 2021. The apartment blocks, the shopping street and the surface plant remained, and the photograph records what that courtyard holds now: a statue, a headframe, and ivy still working its way up the concrete.

04 FROM THE FIELD NOTES

At the entrance to one of Ikeshima Coal Mine's reinforced-concrete apartment blocks, a statue still stands on its plinth above an overgrown planter, the courtyard cracked and dry grass pushing through the asphalt. The mine headframe holds its position on the roofline behind. Ikeshima housed a peak population of 7,770 on an island barely a kilometre square, the company building high-rise concrete towers because the island had no room to spread. Commercial coal production ran from 1959 until the mine closed on 29 November 2001.

Brett Patman

Ikeshima

The series

Ikeshima

1959 to 2001 · 55 photographs

Ikeshima Coal Mine operated beneath the seabed off Nagasaki from 1959 until 29 November 2001, making it the last new coal mine to open in Japan and the last large-scale underground colliery to close. At its 1970 peak the island held 7,770 residents on a 1.08 km² rock in the Gotō Sea, housed in company-built concrete towers above a mine that reached 650 m below sea level.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.