Headframe from Below
Provenance
- Camera
- Nikon F100
- Film
- Kodak Portra 400 · 35mm · ISO 400
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A steel lattice headframe seen from directly below, filling the frame. Rust bleeding through pale paint on every column, brace and platform. Internal landings and handrails stacked inside the steel. Collapsed roof trusses against a corrugated shed at right. Power lines across the base. Grass and scrub at the foot. Blue sky.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Headframe from Below
- Series
- Ikeshima
- Catalogue
- IKE-010
- Process
- Giclée
- Captured
- 18 January 2026
- Camera
- Nikon F100
- Film
- Kodak Portra 400
- Format
- 35mm
- Film ISO
- 400
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Location
- Ikeshima, Nagasaki, Japan
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Ikeshima, Nagasaki, Japan
Map · Mapbox · OpenStreetMap
About this print
Looking up the No. 1 shaft headframe at Ikeshima Coal Mine from its foot, the whole lattice tower filling the frame against a blue sky, rust bleeding through the last of its pale paint on every column, brace and platform. The internal landings and their handrails stack up inside the steel, a gantry of collapsed roof trusses lies against the corrugated shed to the right, and power lines cut across the base.
Brett Patman
The series
Ikeshima
Ikeshima Coal Mine operated beneath the seabed off Nagasaki from 1959 until 29 November 2001, making it the last new coal mine to open in Japan and the last large-scale underground colliery to close. At its 1970 peak the island held 7,770 residents on a 0.86 km² rock in the Gotō Sea, housed in company-built concrete towers above a mine that reached 650 m below sea level.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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