Miner Statue Forecourt

Provenance

Camera
Nikon F100
Film
Kodak Portra 400 · 35mm · ISO 400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A weathered bronze statue of a woman on a dark cylindrical plinth, set within a circular garden bed of dry grass and low scrub. A cracked path curves past. Behind, an abandoned block with rusted panels and exposed rebar, ivy on one side. The winding house and a leaning headframe visible against clear blue sky.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

A weathered bronze statue of a woman with arms raised on a cylindrical plinth, surrounded by dry grass and scrub, with a rusted abandoned building and the Ikeshima Coal Mine winding house and headframe behind her.A weathered bronze statue of a woman with arms raised on a cylindrical plinth, surrounded by dry grass and scrub, with a rusted abandoned building and the Ikeshima Coal Mine winding house and headframe behind her.A weathered bronze statue of a woman with arms raised on a cylindrical plinth, surrounded by dry grass and scrub, with a rusted abandoned building and the Ikeshima Coal Mine winding house and headframe behind her.A weathered bronze statue of a woman with arms raised on a cylindrical plinth, surrounded by dry grass and scrub, with a rusted abandoned building and the Ikeshima Coal Mine winding house and headframe behind her.A weathered bronze statue of a woman with arms raised on a cylindrical plinth, surrounded by dry grass and scrub, with a rusted abandoned building and the Ikeshima Coal Mine winding house and headframe behind her.
01 PROVENANCE

Print datasheet

Title
Miner Statue Forecourt
Series
Ikeshima
Catalogue
IKE-027
Process
Giclée
Captured
17 January 2026
Camera
Nikon F100
Film
Kodak Portra 400
Format
35mm
Film ISO
400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Nagasaki, Nagasaki, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Nagasaki, Nagasaki, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A bronze figure of a woman stands at the centre of a circular garden bed in the forecourt of Ikeshima Coal Mine. Her arms are raised above her head, holding an object aloft. The planting around her base has been overrun by dry grass and low scrub, and a cracked path curves past the bed. Behind her, ivy has taken hold on one side of an abandoned block; rusted panels and exposed rebar mark its lower storeys. Further back, the winding house of the mine sits large and white against a clear blue sky, its headframe leaning and a partly collapsed structure beside it. Ikeshima Coal Mine operated on and beneath this small island in Nagasaki City, about 7 km off the Nishi-Sonogi Peninsula in the Gotō Sea. The island covers roughly 1.08 km². The entire worked coalfield lay beneath the seabed, with the deepest workings reaching about 650 m below sea level. Commercial output began in 1959, making Ikeshima the last new coal mine to open in Japan, and the mine ran for approximately 42 years before closing on 29 November 2001. Over the course of its operation, it produced approximately 44.5 million tonnes of clean coal. At the 1970 peak, the island's population reached 7,770; about 2,500 workers were dismissed at closure. The surface plant visible in this photograph, the winding house, the headframe, was part of an infrastructure built over several decades. The first vertical shaft was completed in 1967, alongside an on-island coal-fired power station and a seawater-desalination plant. A second vertical shaft followed in 1981. The mine's principal working area from 1974 lay out beneath the seabed toward the islet of Hikishima, about 4 to 5 km west. This photograph was made in 2026, when the island's population had long since fallen and much of the housing and commercial strip stood abandoned. The forecourt statue, the rusted block, and the winding house behind it are what remain visible at the surface of what was once Japan's largest undersea coal operation.

04 FROM THE FIELD NOTES

A bronze figure stands at the centre of a circular garden bed at Ikeshima Coal Mine, her arms raised, dry grass and low scrub swallowing the planting around her plinth. Behind her, ivy climbs the rusted panels of an abandoned block, and the winding house of the mine sits against a clear sky with its headframe leaning beside it. Ikeshima was Japan's last large-scale coal mine, closing on 29 November 2001 after producing approximately 44.5 million tonnes of clean coal from beneath the seabed.

Brett Patman

Ikeshima

The series

Ikeshima

1959 to 2001 · 55 photographs

Ikeshima Coal Mine operated beneath the seabed off Nagasaki from 1959 until 29 November 2001, making it the last new coal mine to open in Japan and the last large-scale underground colliery to close. At its 1970 peak the island held 7,770 residents on a 1.08 km² rock in the Gotō Sea, housed in company-built concrete towers above a mine that reached 650 m below sea level.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.