Two Loafing Cats

Provenance

Camera
Nikon F100
Film
Cinestill 800T · 35mm · ISO 800
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A tabby and a black and white cat loaf on a stained concrete ledge. A beige render wall meets a blue-grey wall in the corner behind them. The ledge runs along one of the island's residential apartment blocks.

Edition
Open edition

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In situ

A tabby and a black and white cat loafed side by side on a stained concrete ledge at Ikeshima, with worn render walls meeting at a corner behind them.A tabby and a black and white cat loafed side by side on a stained concrete ledge at Ikeshima, with worn render walls meeting at a corner behind them.A tabby and a black and white cat loafed side by side on a stained concrete ledge at Ikeshima, with worn render walls meeting at a corner behind them.A tabby and a black and white cat loafed side by side on a stained concrete ledge at Ikeshima, with worn render walls meeting at a corner behind them.A tabby and a black and white cat loafed side by side on a stained concrete ledge at Ikeshima, with worn render walls meeting at a corner behind them.
01 PROVENANCE

Print datasheet

Title
Two Loafing Cats
Series
Ikeshima
Catalogue
IKE-049
Process
Giclée
Captured
17 January 2026
Camera
Nikon F100
Film
Cinestill 800T
Format
35mm
Film ISO
800
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Location
Nagasaki, Nagasaki, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Nagasaki, Nagasaki, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

On a concrete ledge outside one of the reinforced-concrete apartment blocks on Ikeshima, two cats sit in easy company. The tabby on the left has its eyes almost shut, settled and unhurried. Beside it, a black and white cat holds its attention on something further off. The ledge is marked with dirt and stains; behind them, a beige rendered wall meets a blue-grey wall at a corner, the render worn through in patches. The apartment blocks were built because the island had no room to spread. Ikeshima covers about 1.08 square kilometres, and at the population peak in 1970 around 7,770 people were living on it, housed in towers the company put up in concrete rather than the low timber rows common in mainland coal towns. The blocks came with communal bathhouses and shared laundries; a coal-fired power station and a seawater-desalination plant, both commissioned in 1967, kept the island self-sufficient because mains power and water could not be supplied in the ordinary way. The Ikeshima Coal Mine began commercial output in 1959, the last new colliery to open in Japan, and closed on 29 November 2001, the last large-scale underground coal mine in the country to do so. About 2,500 workers were dismissed at closure. Most residents left with them. By 2021, the island's recorded population was 111, mostly retired miners and their families. Much of the housing and the shopping street stands disused. The cats, free-roaming and at ease on the ledges and stairwells of the emptied blocks, are a recognised feature of the island now. This photograph was made in 2026.

04 FROM THE FIELD NOTES

Two cats occupy a concrete ledge outside the apartment blocks on Ikeshima, Nagasaki. The tabby sits with its eyes almost closed; the black and white cat stays alert. Around them, the reinforced-concrete towers that once housed a working population of around 7,770 people stand largely empty. By 2021, the island's resident population had fallen to 111. The cats, free-roaming and unhurried, have made the place their own.

Brett Patman

Ikeshima

The series

Ikeshima

1959 to 2001 · 55 photographs

Ikeshima Coal Mine operated beneath the seabed off Nagasaki from 1959 until 29 November 2001, making it the last new coal mine to open in Japan and the last large-scale underground colliery to close. At its 1970 peak the island held 7,770 residents on a 1.08 km² rock in the Gotō Sea, housed in company-built concrete towers above a mine that reached 650 m below sea level.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
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