Slots of Light

Provenance

Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/8.0 · 1/5 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A chair in a dimly lit room at Kenmore, Goulburn NSW, with slats of light falling across the floor from a partly shuttered window. The complex has been largely vacant since the Commonwealth sale in 2003.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Slots of Light at The Asylum, a single vinyl chair sits near two windows in an otherwise empty room.Slots of Light at The Asylum, a single vinyl chair sits near two windows in an otherwise empty room.Slots of Light at The Asylum, a single vinyl chair sits near two windows in an otherwise empty room.Slots of Light at The Asylum, a single vinyl chair sits near two windows in an otherwise empty room.Slots of Light at The Asylum, a single vinyl chair sits near two windows in an otherwise empty room.
01 PROVENANCE

Print datasheet

Title
Slots of Light
Series
Kenmore Asylum
Catalogue
KAS-053
Process
Giclée
Captured
1 March 2020
Camera
NIKON D850
Lens
14.0-24.0 mm f/2.8
Aperture
f/8.0
Shutter
1/5 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A chair stands in a dimly lit room at Kenmore. Slats of light fall across the floor from a partly closed window on one side of the room. The chair is timber, plain-framed, set facing the window. The floor is timber boards. The walls are painted plaster, weathered through patches of damp. The light from the window is the only feature in the room beyond the chair itself.

The complex has been largely vacant since the Commonwealth sale in 2003. Kenmore opened in 1895 as the first purpose-built complete complex for mental health care in rural NSW, designed by Walter Liberty Vernon, the first NSW Government Architect. The residential rooms hold only what has been left or carried in since the buildings were sold. The site was added to the NSW State Heritage Register on 1 April 2005, item 2930022.

04 FROM THE FIELD NOTES

A single vinyl chair sits near two windows in an otherwise empty room. Venetian blinds, buckled and broken in places, filter green-tinged light across the floor. Plaster has lifted from the upper walls and ceiling in dark, damp patches. Grit and debris coat every surface. A metal housing unit is mounted low on the right wall. The air looks thick. Still.

Brett Patman

Kenmore Asylum

The series

Kenmore Asylum

2020 · 74 photographs

Frederic Norton Manning, NSW Inspector-General of the Insane, acquired 340.5 acres on Taralga Road, Goulburn, for £1,252 in October 1879. Walter Liberty Vernon, the first NSW Government Architect, designed the asylum complex. Kenmore opened in 1895 with capacity for 700 patients across 19 wards.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.