Grease Pump
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 60mm · f/4.0 · 1/8 · ISO 250
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
This industrial grease pump, once vital, now rests silent inside the derelict O-I Glass facility. Rust colours its metal surface, hinting at years of disuse.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ
Print datasheet
- Title
- Grease Pump
- Series
- O-I Glass
- Catalogue
- OIG-006
- Process
- Giclée
- Captured
- 18 December 2011
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/4.0
- Shutter
- 1/8 s
- ISO
- 250
- Focal length
- 60 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Thomastown, Victoria, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Thomastown, Victoria, Australia
Map · Mapbox · OpenStreetMap
A Lincoln grease pump sits bolted to a concrete plinth on the factory floor. Cobwebs lace the housing and lever mechanism, thick enough to catch the light falling from clerestory windows deep in the background. The triangular Lincoln logo is still legible beneath a layer of grime. Behind it, the floor stretches back through steel columns into a long industrial bay. Debris and dust cover every surface.
Brett Patman
The series
O-I Glass
Alfred Felton and Frederick Grimwade founded the Melbourne Glass Bottle Works in 1872 at Graham Street, Emerald Hill, to supply their wholesale drug business. In 1890 the company purchased 12 acres on the Yarra at Spotswood and built the new manufacturing plant that would carry on glass production for over a hundred years, through Australian Glass Manufacturers, Australian Consolidated Industries, BTR and Owens-Illinois. The site was demolished by 2012, with only the 115-metre basalt wall on Douglas Parade, known to the workers as the Great Wall of Spotswood, left standing.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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