Loading Dock
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 70mm · f/4.0 · 1/10 · ISO 250
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Rusting machinery and peeling paint mark the loading dock at the former O-I Glass factory. Sunlight streams through grimy windows, highlighting the silent decay of a once-busy industrial space.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Loading Dock
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-011
- Process
- Giclée
- Captured
- 18 December 2011
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/4.0
- Shutter
- 1/10 s
- ISO
- 250
- Focal length
- 70 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Thomastown, Victoria, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Thomastown, Victoria, Australia
Map · Mapbox · OpenStreetMap
A collapsed awning sags at a steep angle across the loading dock, its sheeting buckled and grey with grime. Steel columns rise two storeys. The upper level shows pale cladding tagged with blue and green graffiti. Windows sit dark and open. Corrugated iron walls are streaked with rust. Rubble, broken timber and industrial debris cover the concrete floor. A thin blade of light cuts through a gap in the far wall.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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