Loading Dock

Provenance

Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Settings
70mm · f/4.0 · 1/10 · ISO 250
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Rusting machinery and peeling paint mark the loading dock at the former O-I Glass factory. Sunlight streams through grimy windows, highlighting the silent decay of a once-busy industrial space.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

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Ships within 10 business days · signed & numbered

In situ

Loading Dock at O-I Glass, a collapsed awning sags at a steep angle across the loading dock, its sheeting buckled and grey.Loading Dock at O-I Glass, a collapsed awning sags at a steep angle across the loading dock, its sheeting buckled and grey.Loading Dock at O-I Glass, a collapsed awning sags at a steep angle across the loading dock, its sheeting buckled and grey.Loading Dock at O-I Glass, a collapsed awning sags at a steep angle across the loading dock, its sheeting buckled and grey.Loading Dock at O-I Glass, a collapsed awning sags at a steep angle across the loading dock, its sheeting buckled and grey.
01 PROVENANCE

Print datasheet

Title
Loading Dock
Series
Graffiti & Urban Decay
Catalogue
GUD-011
Process
Giclée
Captured
18 December 2011
Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Aperture
f/4.0
Shutter
1/10 s
ISO
250
Focal length
70 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Thomastown, Victoria, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Thomastown, Victoria, Australia

Map · Mapbox · OpenStreetMap

04 FROM THE FIELD NOTES

A collapsed awning sags at a steep angle across the loading dock, its sheeting buckled and grey with grime. Steel columns rise two storeys. The upper level shows pale cladding tagged with blue and green graffiti. Windows sit dark and open. Corrugated iron walls are streaked with rust. Rubble, broken timber and industrial debris cover the concrete floor. A thin blade of light cuts through a gap in the far wall.

Brett Patman

Graffiti & Urban Decay

The series

Graffiti & Urban Decay

54 photographs

Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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