Loading Dock
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 70mm · f/4.0 · 1/10 · ISO 250
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Rusting machinery sits along the walls of the loading dock. Paint has peeled from surfaces in long strips. Grimy windows admit shafts of natural light across the floor. Industrial fittings remain in place. The space is otherwise empty.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Loading Dock
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-011
- Process
- Giclée
- Captured
- 18 December 2011
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/4.0
- Shutter
- 1/10 s
- ISO
- 250
- Focal length
- 70 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Thomastown, Victoria, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Thomastown, Victoria, Australia
Map · Mapbox · OpenStreetMap
About this print
The loading dock at the former Melbourne Glass Bottle Works at Spotswood holds rusting machinery and peeling paint, sunlight pushing through windows coated with years of grime. This was the dispatch edge of a factory that ran continuously from 1890, producing soft drink bottles, medicine vials, beer bottles, and jam jars at a rate of 27 million units a year by 1908. The works changed hands four times over a century, from Melbourne Glass Bottle Works to AGM to ACI to O-I, before manufacturing wound down and the buildings were demolished in January 2012.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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