Filing Cabinet
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 1/2 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
An open metal filing cabinet sits on a concrete floor inside an abandoned workshop. The drawers are pulled out and empty. Dust has settled across the surfaces. No documents remain. Natural light falls across the cabinet from an unseen source.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Filing Cabinet
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-009
- Process
- Giclée
- Captured
- 8 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/2 s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Chatswood, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Chatswood, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
An open filing cabinet sits inside the vacant Smith Street workshop in Chatswood, its drawers empty and coated in dust. Sundell Motors Pty Ltd held Holden dealer code 610 and operated the site as an authorised service centre from at least 1967. When General Motors announced the withdrawal of the Holden brand from Australia on 17 February 2020, Sundell was among 185 dealers whose futures were severed. The building stood vacant until demolition around 2021, when the site was redeveloped as a Woolworths supermarket.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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