Grease Gun
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 5s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A grease gun rests on a surface among silent machinery. Rust covers most of the barrel. The nozzle is crusted with dried grease and grime. Other workshop equipment is visible but out of focus in the background. The tool appears undisturbed, left in place rather than removed.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Grease Gun
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-010
- Process
- Giclée
- Captured
- 8 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 5s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Chatswood, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Chatswood, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
A grease gun sits abandoned among the machinery of the former Sundell Holden workshop and service centre on Smith Street, Chatswood. Rust has worked its way across the barrel; the nozzle is sealed with old grease. Sundell Motors Pty Ltd held Holden dealer code 610 for Chatswood and operated across Sydney's North Shore from its registration in January 1967. The Smith Street site was the network's mechanical and service arm. When Brett photographed it in 2015, the workshop had already gone quiet, its tools left behind in the bays where they had last been used.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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