Roller Door
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 1.3s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Corrugated roller doors along the rear wall of an industrial service bay. Graffiti covers the doors, columns, and surrounding surfaces in multiple overlapping layers. Cracked concrete floor with scattered debris. Steel roof purlins visible overhead. A danger sign remains fixed to a painted structural column.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Roller Door
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-016
- Process
- Giclée
- Captured
- 8 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1.3s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Chatswood, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Chatswood, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
The Smith Street workshop in Chatswood was the service and repair arm of Sundell Holden's dealer network, distinct from the Pacific Highway showroom that was cleared for office development in 1987. By 2015, the bays stood empty and the roller doors had become a surface for layers of street art. Sundell Motors Pty Ltd held Holden dealer code 610 for Chatswood. The Holden brand ceased trading in Australia on 31 December 2020, and the Smith Street site was demolished around 2021. A Woolworths supermarket opened on the site on 26 October 2022.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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