A single red chair sits in the corner of an otherwise empty room of Terminus Hotel, positioned beneath a window overtaken by vines.
The timber floor is covered in flakes of peeling paint, while the walls show heavy signs of damp and age. What remains feels stripped back, with only the faint imprint of past use. The view outside is mostly blocked, but soft daylight still filters through.
This print captures the quiet realism of abandonment, rendered with museum-grade inks and giclée paper to preserve every tonal detail.