Merimbula Wharf

Provenance

Camera
NIKON D750
Lens
24.0-70.0 mm f/2.8
Settings
27mm · f/8.0 · 19s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

The Merimbula Wharf on Lake Merimbula on the far south coast of New South Wales. Timber decking, weathered posts, calm water at sunset. Long exposure flattens the surface.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Merimbula Wharf at Landscapes, sun setting over Lake Merimbula.Merimbula Wharf at Landscapes, sun setting over Lake Merimbula.Merimbula Wharf at Landscapes, sun setting over Lake Merimbula.Merimbula Wharf at Landscapes, sun setting over Lake Merimbula.Merimbula Wharf at Landscapes, sun setting over Lake Merimbula.
01 PROVENANCE

Print datasheet

Title
Merimbula Wharf
Process
Giclée
Captured
29 August 2016
Camera
NIKON D750
Lens
24.0-70.0 mm f/2.8
Aperture
f/8.0
Shutter
19s s
ISO
100
Focal length
27 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Merimbula, New South Wales, Australia
Recognised by
National Trust of Australia (NSW), 2016 Heritage Award, Multimedia
03 THE STORY

About this print

Merimbula Wharf reaches out into the still water at Merimbula on the NSW South Coast, the timber pier on its piles running from the foreshore out to the deep-water platform at the end. The pier is painted white. The timber boards of the deck are weathered grey on the unpainted surfaces. The piles are darker at the waterline. A small fishing trawler is moored at the end of the wharf. The water is calm and the late-afternoon light is throwing long reflections off the painted timber. The hills behind the foreshore are blue and pale in the haze. The wharf has been there since the late nineteenth century, when Merimbula was a busy coastal shipping stop.

Brett photographed Merimbula Wharf at 17:31 on 29 August 2016, on the Nikon D750 he was shooting at the time. The Landscapes collection covers Brett's wider travel photography across Australia and Japan rather than the abandoned-places work the Lost Collective is built on. The Merimbula stretch of the Sapphire Coast carries a particular kind of late-winter afternoon light, with the south-westerly winds dying off in the hour before sunset and the water flattening out for a brief window. The wharf in the photograph is the one Merimbula residents have known by sight all their lives.

04 FROM THE FIELD NOTES

Sun setting over Lake Merimbula.

Brett Patman

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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