Tin Drovers Hut

Provenance

Camera
NIKON D850
Lens
24.0-70.0 mm f/2.8
Settings
24mm · f/8.0 · 1/160 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A small tin hut stands alone on a wide, dry plain. Corrugated iron walls show heavy rust across the full surface. The surrounding landscape is open and flat with sparse, dry ground cover. No other structures are visible in the frame.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Tin Drovers Hut at A Place to Call Home, unframed print displayed in situ on a wall.Tin Drovers Hut at A Place to Call Home, white-framed print displayed in situ on a wall.Tin Drovers Hut at A Place to Call Home, black-framed print displayed in situ on a wall.Tin Drovers Hut at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Tin Drovers Hut at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Tin Drovers Hut
Series
A Place to Call Home
Catalogue
PCH-045
Process
Giclée
Captured
29 December 2018
Camera
NIKON D850
Lens
24.0-70.0 mm f/2.8
Aperture
f/8.0
Shutter
1/160 s
ISO
100
Focal length
24 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The hut is a simple thing. Four walls of corrugated iron, heavily rusted, standing on open country in rural New South Wales. No lean-to, no visible additions, no sign of anything beyond the minimum required to keep weather off a person for a night or a season. The surrounding landscape is wide and dry, the plains stretching out in every direction. Structures like this served drovers moving stock across the Monaro and surrounding country. They were not built to last in any ambitious sense. A basic hut could be erected in two to three weeks, and corrugated iron, as it replaced bark and timber shingles across the nineteenth century, made construction faster still. What the research record describes as the "usual" settler's approach to building was practical rather than permanent: put up what was needed, add to it when there was time and money, and move on when the land or the season demanded it. The galvanised iron on this hut has moved well past silver-grey into the deep brown-red that characterises older iron exposed to decades of sun, rain, and dry air. The research file notes that pre-1900 corrugated iron on the Monaro typically presents at this colour range, though a specific construction date for this structure is not documented. The Australian Alps national parks protect over 200 historic huts across New South Wales, Victoria, and the ACT. Volunteer organisations maintain them using traditional techniques. This hut sits outside that network, on the open plains rather than in the high country, with no formal heritage listing and no institutional record. The A Place to Call Home series, photographed by Brett Patman between 2016 and 2019, documents structures in exactly this position: between the formally protected alpine huts and the heritage schedules of the regional councils, in the gap where collapse is the most likely outcome. This photograph was made in 2018.

04 FROM THE FIELD NOTES

A corrugated iron drovers' hut stands on open, dry country in rural New South Wales, its walls burnt deep with rust from years of exposure to sun and weather. Structures like this were built simply and quickly, shelter for drovers moving stock across the plains, with no particular permanence intended. Photographed in 2018 as part of the A Place to Call Home series, the hut sits outside the formal heritage protections that cover the alpine huts of the national parks, one of many pastoral buildings across the region with no institutional record and no guarantee of survival.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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