Limited editions · Numbered, certified, and signed · Once a series sells out, it's gone

Limited editions · Numbered & signed

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A Place to Call Home

Tin Drovers Hut

A Place to Call Home

Tin Drovers Hut

Size Guide
Size Guide

Size XS Size guide
Type Unframed
Colour N/A

A corrugated iron hut sits low in open bushland, its doorway dark and unframed. Grey galvanised sheeting runs vertical, weathered but intact. A sheet of rusted iron leans against the base. Beside it, a snow gum rises tall, its bark stripped back in long ribbons to reveal salmon and cream underneath. Tussock grass grows thick around the foundations. The sky is heavy, overcast, pressing down on scattered eucalypts that thin out across flat country in every direction. Drovers' huts like this were built across the New South Wales tablelands and high country as rough shelter during seasonal stock movements. Simple single-room structures of timber frame and corrugated iron, they required no permanent foundation. Most date from the early to mid-twentieth century. Many were abandoned when long-distance droving declined after road transport became standard in the 1960s and 1970s.

Series
A Place to Call Home
Location
Rural New South Wales and ACT, Australia
Year photographed
2015
Print technique
Giclée
Paper
Ilford Smooth Cotton Rag 310gsm
Certificate of authenticity
Included, signed by the artist
Series
A Place to Call Home
Location
Rural New South Wales and ACT, Australia
Year photographed
2015
Print technique
Giclée
Paper
Ilford Smooth Cotton Rag 310gsm
Certificate of authenticity
Included, signed by the artist
Limited Editions — Sizes M, L, XL
Each size is a fixed edition, individually numbered and signed.
The edition count covers all framing variations combined (unframed, framed, glass-mounted).
Once sold out, the edition is closed and never reproduced.

Open Editions — Sizes XS, S
Unnumbered, but personally signed and titled by Brett Patman.
Printed on the same Canson® cotton rag stock as the limited editions.
Sizes:
XS — 300 × 200mm (Open Edition)
S — 420 × 300mm (Open Edition)
M — 600 × 400mm (Limited Edition of 100)
L — 841 × 594mm (Limited Edition of 50)
XL — 1189 × 841mm (Limited Edition of 25)

Framing:
Unframed — white border, signed, titled, dated, and numbered on the reverse.
Framed — sustainably sourced timber in raw, white, or black finish.
Glass print — 6mm toughened low-iron glass, bevelled edge, concealed mount.
Acrylic block — freestanding, 20 × 30 × 3cm, suited to desktops and shelves.
Custom framing available on request.
Framed & Unframed: Ilford Smooth Cotton Rag 310gsm — acid-free, archival cotton stock.
Glass prints: Ilford Galerie Metallic Gloss 260gsm — face-mounted to 6mm toughened glass.
Ink: Epson UltraChrome™ HD archival pigment inks.
Longevity: 100+ year fade resistance under normal display conditions.
Handle unframed prints with clean, dry hands.
Keep away from direct sunlight and moisture.
Clean glass and acrylic surfaces with a soft, dry cloth.
Store unframed prints flat or rolled in a cool, dry place.
Unframed prints: 5–10 business days.
Framed and glass prints: 10–20 business days.

Worldwide shipping. Tracking provided on all orders.
Unframed prints ship in rigid mailers or protective tubes.
Framed and glass works are custom-crated for transit.
All prints are made to order and non-refundable.
If your order arrives damaged, contact us within 7 days with photos. We will replace it at no charge.
If packaging is visibly damaged on arrival, ask the carrier to note it before you sign.

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