Tin Drovers Hut
Provenance
- Camera
- NIKON D850
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 1/160 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A small tin hut stands alone on a wide, dry plain. Corrugated iron walls show heavy rust across the full surface. The surrounding landscape is open and flat with sparse, dry ground cover. No other structures are visible in the frame.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Tin Drovers Hut
- Series
- A Place to Call Home
- Catalogue
- PCH-045
- Process
- Giclée
- Captured
- 29 December 2018
- Camera
- NIKON D850
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/160 s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
A corrugated iron drovers' hut stands on open, dry country in rural New South Wales, its walls burnt deep with rust from years of exposure to sun and weather. Structures like this were built simply and quickly, shelter for drovers moving stock across the plains, with no particular permanence intended. Photographed in 2018 as part of the A Place to Call Home series, the hut sits outside the formal heritage protections that cover the alpine huts of the national parks, one of many pastoral buildings across the region with no institutional record and no guarantee of survival.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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