Catwalk

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 1/25 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

The catwalk runs from the raw material intake toward the crushing plant, its windows caked with decades of ore dust. Grated steel underfoot, corrugated iron overhead. Ore moved through this passage before processing began.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Catwalk at Ashio Copper Mine, steel railings and timber walkways span the upper floor of a processing shed at the Ashio.Catwalk at Ashio Copper Mine, steel railings and timber walkways span the upper floor of a processing shed at the Ashio.Catwalk at Ashio Copper Mine, steel railings and timber walkways span the upper floor of a processing shed at the Ashio.Catwalk at Ashio Copper Mine, steel railings and timber walkways span the upper floor of a processing shed at the Ashio.Catwalk at Ashio Copper Mine, steel railings and timber walkways span the upper floor of a processing shed at the Ashio.
01 PROVENANCE

Print datasheet

Title
Catwalk
Series
Ashio Copper Mine
Catalogue
ACM-005
Process
Giclée
Captured
7 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1/25 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Ashio, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Ashio, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A steel catwalk at Ashio Copper Mine runs the length of one of the processing levels, suspended from the structural steel of the building above on threaded rods and held against the wall on a steel ledger. The walkway is steel grating, the kind that drains liquid and lets dust fall through. A handrail of mild steel pipe runs along the open side at standing height. The catwalk passes the inspection ports of the hoppers, the access doors of the conveyors, and the maintenance points of the flotation cells along its length. The decking is darkened from years of foot traffic and ore-dust accumulation. Daylight comes through the side windows in flat panels, falling across the grating in long stripes.

Catwalks are the working circulation of a mineral processing plant. Operators, fitters, and electricians walked these levels through every shift, checking the lights on the mimic-board against the conditions at each machine. At Ashio the plant ran on shift work from the 1877 modernisation onwards, with the catwalks carrying the foot traffic of a working copper mine across nearly a century. The Excavation Department closed in 1973. The catwalk has not carried a working shift since.

04 FROM THE FIELD NOTES

Steel railings and timber walkways span the upper floor of a processing shed at the Ashio Copper Mine. A large metal cabinet stands centre frame, its surface spotted with corrosion. Electrical boxes hang from overhead beams. Wiring sags. Corrugated iron walls filter grey-green light through grid windows, some panes missing. The concrete floor is thick with grime and scattered debris. The air looks dense, almost damp.

Brett Patman

Ashio Copper Mine

The series

Ashio Copper Mine

2016 · 24 photographs

Furukawa Ichibei acquired the Ashio mine in 1877 with financial backing from Shibusawa Eiichi. By 1922 the operation had consolidated its three separate ore-processing plants into one. The Tsudō Ore-Dressing Plant, on the Watarase River, was held up at home and abroad as a model facility for metal mines.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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