Fan

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
20mm · f/9.0 · 1/13 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A ventilation fan sits idle at the timber floor level above the crushing plant, its blades coated in dust. The view from here looks out across the valley to the mountain ridge.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Fan at Ashio Copper Mine, a green-bladed pedestal fan stands on warped timber floorboards inside a corrugated iron workshop.Fan at Ashio Copper Mine, a green-bladed pedestal fan stands on warped timber floorboards inside a corrugated iron workshop.Fan at Ashio Copper Mine, a green-bladed pedestal fan stands on warped timber floorboards inside a corrugated iron workshop.Fan at Ashio Copper Mine, a green-bladed pedestal fan stands on warped timber floorboards inside a corrugated iron workshop.Fan at Ashio Copper Mine, a green-bladed pedestal fan stands on warped timber floorboards inside a corrugated iron workshop.
01 PROVENANCE

Print datasheet

Title
Fan
Series
Ashio Copper Mine
Catalogue
ACM-009
Process
Giclée
Captured
7 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1/13 s
ISO
100
Focal length
20 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Ashio, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Ashio, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A large industrial fan at Ashio Copper Mine sits in a steel housing along the upper level of the processing building, its drive motor mounted on the same frame and connected to the impeller shaft through a flexible coupling. The housing is a riveted-steel volute, the inlet open to one side and the discharge ducting rising out of the top through the wall above. The impeller inside has been visible at some point in the building's history through an inspection door, now closed and bolted. The motor end carries a manufacturer's plate in Japanese, painted onto the casing. Stains from decades of dust-laden air run down the housing along the gasket lines.

Fans in a mineral processing plant move air for two main jobs: pulling exhaust gases away from the kilns, smelters, and flotation cells, and feeding ventilation into spaces where workers needed clear air. At Ashio, fans like this one ran continuously through the working shifts. The Furukawa-era plant produced copper from 1877 onwards; the Excavation Department closed in 1973. The fan in this photograph stopped at the same time and has not been started since. The motor's bearings have settled in place; the impeller behind the inspection door is still where the last shift left it.

04 FROM THE FIELD NOTES

A green-bladed pedestal fan stands on warped timber floorboards inside a corrugated iron workshop. Loose wiring hangs from the ceiling. Rusted drums, timber offcuts and broken cabinetry pile against the far wall. Light enters through a wide opening where sheets of cladding have peeled away, revealing forested mountains beyond. The air looks thick. Debris is scattered across every surface.

Brett Patman

Ashio Copper Mine

The series

Ashio Copper Mine

2016 · 24 photographs

Furukawa Ichibei acquired the Ashio mine in 1877 with financial backing from Shibusawa Eiichi. By 1922 the operation had consolidated its three separate ore-processing plants into one. The Tsudō Ore-Dressing Plant, on the Watarase River, was held up at home and abroad as a model facility for metal mines.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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