Gantry

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 1/25 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Grated steel walkways span mid-level above the refinery floor, pipe runs hanging below the corrugated roof. Vegetation has pushed in through the structure since the Excavation Department closed in 1973.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Gantry at Ashio Copper Mine, steel gantries and mesh walkways stack across multiple levels inside the ore processing hall.Gantry at Ashio Copper Mine, steel gantries and mesh walkways stack across multiple levels inside the ore processing hall.Gantry at Ashio Copper Mine, steel gantries and mesh walkways stack across multiple levels inside the ore processing hall.Gantry at Ashio Copper Mine, steel gantries and mesh walkways stack across multiple levels inside the ore processing hall.Gantry at Ashio Copper Mine, steel gantries and mesh walkways stack across multiple levels inside the ore processing hall.
01 PROVENANCE

Print datasheet

Title
Gantry
Series
Ashio Copper Mine
Catalogue
ACM-011
Process
Giclée
Captured
7 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1/25 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Ashio, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Ashio, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

An overhead gantry crane at Ashio Copper Mine runs the length of one of the processing halls, the structural steel beam carrying a trolley along its lower flange and a lift hook hanging from the trolley. The beam is supported at each end by upright columns bolted into the floor and braced into the building's structural framing. The crane control hangs from a cable beside the column, the pendant box about waist height for an operator standing on the floor. The hook is currently parked at the centre of the beam. The whole assembly is painted in a pale industrial green, weathered to a darker tone at the joints and the trolley wheels.

Overhead gantries are essential plant in any heavy industrial works. At Ashio they lifted ball-mill components, motor housings, and assemblies that were too heavy for hand handling, moving them along the length of the building for maintenance or replacement. The crane in this photograph carried the mill's working parts across the operational decades of the plant under Furukawa modernisation from 1877 to the Excavation Department's 1973 closure. It has not lifted since. The cable on the hook is the cable from the last job. The trolley is parked where the last operator left it.

04 FROM THE FIELD NOTES

Steel gantries and mesh walkways stack across multiple levels inside the ore processing hall. Blue-painted handrail posts stand in rows against grey iron and rust. Overhead, the roof structure is open truss, corrugated sheeting missing in sections where light falls through. A large opening at the far wall frames green mountains beyond. Pipes sag between platforms. Dust and mineral residue coat every surface.

Brett Patman

Ashio Copper Mine

The series

Ashio Copper Mine

2016 · 24 photographs

Furukawa Ichibei acquired the Ashio mine in 1877 with financial backing from Shibusawa Eiichi. By 1922 the operation had consolidated its three separate ore-processing plants into one. The Tsudō Ore-Dressing Plant, on the Watarase River, was held up at home and abroad as a model facility for metal mines.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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