Holding Area

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
19mm · f/9.0 · 1/5 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

One level above the dressing area, a concrete room sits emptied of any distinguishing machinery. Bare walls, cracked floor. Whether it held stored ore or was stripped of equipment after 1973 is not clear from what remains.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
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Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Holding Area at Ashio Copper Mine, concrete plinths rise from a dirt floor inside a corrugated iron shed.Holding Area at Ashio Copper Mine, concrete plinths rise from a dirt floor inside a corrugated iron shed.Holding Area at Ashio Copper Mine, concrete plinths rise from a dirt floor inside a corrugated iron shed.Holding Area at Ashio Copper Mine, concrete plinths rise from a dirt floor inside a corrugated iron shed.Holding Area at Ashio Copper Mine, concrete plinths rise from a dirt floor inside a corrugated iron shed.
01 PROVENANCE

Print datasheet

Title
Holding Area
Series
Ashio Copper Mine
Catalogue
ACM-012
Process
Giclée
Captured
7 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1/5 s
ISO
100
Focal length
19 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Ashio, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Ashio, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A holding area at Ashio Copper Mine sits on one of the lower levels of the processing plant, where intermediate product was stored between processing stages. The area is a concrete-floored bay enclosed on three sides by the structural walls of the building, with the fourth side open onto the working floor. Steel partitions divide the bay into sections, each one sized for a different intermediate product. Some of the bays still hold residual material: pale-grey crushed ore in one, darker concentrate in another. A small overhead crane runs above the bays, the hook parked at one end of its rail. The light is dim; the windows on the side wall are partly obscured by the bay walls.

Holding areas in a mineral processing plant buffer the working stages from each other. When upstream production gets ahead of downstream demand, the intermediate product accumulates in the holding bays; when downstream draws faster than upstream can supply, the bays drain down. The arrangement keeps the plant running through short-term mismatches. Ashio used holding bays of this kind throughout the working life of the works under Furukawa modernisation from 1877 to the Excavation Department's 1973 closure. The residual material in the bays in this photograph is the last batch that came through the plant.

04 FROM THE FIELD NOTES

Concrete plinths rise from a dirt floor inside a corrugated iron shed. Steel columns and cross-bracing climb two storeys to an open truss roof. Cables hang loose between structural members. Daylight pushes through high clerestory windows, catching rust on every surface. Green vegetation presses against the far wall where sheeting has failed. The air in here would taste of iron and damp earth.

Brett Patman

Ashio Copper Mine

The series

Ashio Copper Mine

2016 · 24 photographs

Furukawa Ichibei acquired the Ashio mine in 1877 with financial backing from Shibusawa Eiichi. By 1922 the operation had consolidated its three separate ore-processing plants into one. The Tsudō Ore-Dressing Plant, on the Watarase River, was held up at home and abroad as a model facility for metal mines.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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