Mountain View

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 1/60 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Steel trusses cross above the milling floor, rusted pipes below. The valley through the far window is the Watarase, the watershed that carried the mine's pollution downstream from the 1880s. Blue-green residue has stained the concrete at lower right.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Mountain View at Ashio Copper Mine, steel trusses and heavy pipework fill the interior of a vast processing shed.Mountain View at Ashio Copper Mine, steel trusses and heavy pipework fill the interior of a vast processing shed.Mountain View at Ashio Copper Mine, steel trusses and heavy pipework fill the interior of a vast processing shed.Mountain View at Ashio Copper Mine, steel trusses and heavy pipework fill the interior of a vast processing shed.Mountain View at Ashio Copper Mine, steel trusses and heavy pipework fill the interior of a vast processing shed.
01 PROVENANCE

Print datasheet

Title
Mountain View
Series
Ashio Copper Mine
Catalogue
ACM-017
Process
Giclée
Captured
7 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1/60 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Ashio, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Ashio, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The view through one of the milling-area windows at Ashio Copper Mine looks across the valley to the bare slopes opposite. A stand of conifers rises in the middle distance, but most of the surrounding country is exposed rock and scrub, the landscape that smelter fumes left behind. On the inside of the window frame, blue-green stains run down the wall where copper-oxide leached out of the metalwork. The frame itself is rusted at the joints. The window is missing two panes. The others are intact, but smeared with decades of dust. The view is sharper than the room it looks out of.

This is the Watarase valley, the catchment that carried Ashio's runoff for almost a century. From the mine and refinery, smelter fumes rose into the atmosphere and acid effluent flowed downhill to the river. Forests within fifty kilometres of the site were stripped bare; downstream farmers lost crops and livestock. The Meiji-era protests led by farmer-politician Tanaka Shōzō were Japan's first major environmental movement. They forced government investigation and partial remediation, but the damage was already done. Replanting started decades later, and in places the bare slopes are still recovering today, more than fifty years after the mine closed in 1973.

04 FROM THE FIELD NOTES

Steel trusses and heavy pipework fill the interior of a vast processing shed. Rust coats every surface. A thick pipe cuts diagonally across the foreground, its flanged joints seized and corroded. Gantries, walkways and conveyor frames layer the middle ground in dense, overlapping geometry. Through the open wall at the far end, a dark mountain of slag or tailings rises against green hillside and pale sky.

Brett Patman

Ashio Copper Mine

The series

Ashio Copper Mine

2016 · 24 photographs

Furukawa Ichibei acquired the Ashio mine in 1877 with financial backing from Shibusawa Eiichi. By 1922 the operation had consolidated its three separate ore-processing plants into one. The Tsudō Ore-Dressing Plant, on the Watarase River, was held up at home and abroad as a model facility for metal mines.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.