Raw Material Chutes

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 0.4s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A long, narrow room below the hoppers, raw material feeding down through the chutes above. Concrete walls streaked with rust; light enters from the far end. Part of the ore intake sequence before the crushing plant.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Raw Material Chutes at Ashio Copper Mine, a long concrete corridor stretches deep into the building, narrowing to a faint.Raw Material Chutes at Ashio Copper Mine, a long concrete corridor stretches deep into the building, narrowing to a faint.Raw Material Chutes at Ashio Copper Mine, a long concrete corridor stretches deep into the building, narrowing to a faint.Raw Material Chutes at Ashio Copper Mine, a long concrete corridor stretches deep into the building, narrowing to a faint.Raw Material Chutes at Ashio Copper Mine, a long concrete corridor stretches deep into the building, narrowing to a faint.
01 PROVENANCE

Print datasheet

Title
Raw Material Chutes
Series
Ashio Copper Mine
Catalogue
ACM-018
Process
Giclée
Captured
7 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
0.4s s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Ashio, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Ashio, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A set of raw-material chutes at Ashio Copper Mine drops crushed ore from the upper conveyors into the receiving hoppers below. Each chute is a riveted-steel funnel inverted at an angle to its lower partner, the assembly forming a stepped descent across two levels of the processing building. The steel is darkened with ore residue along the lower edges of each section, where the falling ore wore the surface back over decades. Wear plates have been bolted into the high-impact zones of several chutes; some are original to the build, others have been replaced. The chute walls vibrate when the building is touched. Light here is thin, coming through small dust-coated windows on the side wall.

Chutes do the gravity work in a processing plant: where the ore needs to drop from one level to the next, a chute carries it without using power. The arrangement at Ashio used gravity wherever it could, then used the conveyors only on the horizontal runs. The chutes carried ore through the works for the operational life of the plant under Furukawa, from the 1877 modernisation through to the Excavation Department's closure in 1973. They have been still since. The wear pattern in the steel is the record of every shift that passed material through them.

04 FROM THE FIELD NOTES

A long concrete corridor stretches deep into the building, narrowing to a faint rectangle of green light at the far end. Timber workbenches and heavy iron rollers line the right side. Rust has thickened on every metal surface. Moss creeps across the floor between broken planks, ceramic insulators, and scattered machine parts. Milky light enters through gridded windows on the left wall. The ceiling is stained black with decades of mineral dust and moisture.

Brett Patman

Ashio Copper Mine

The series

Ashio Copper Mine

2016 · 24 photographs

Furukawa Ichibei acquired the Ashio mine in 1877 with financial backing from Shibusawa Eiichi. By 1922 the operation had consolidated its three separate ore-processing plants into one. The Tsudō Ore-Dressing Plant, on the Watarase River, was held up at home and abroad as a model facility for metal mines.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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