Void

Provenance

Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Settings
14mm · f/9.0 · 1/6 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Looking up from the milling area toward the mineshaft and extraction building above. Concrete frames the opening between the processing floor and the mine entrance. The Excavation Department that worked this shaft closed in 1973.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

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In situ

Void at Ashio Copper Mine, steel trusses span the full width of the processing hall, rising three storeys above a bare.Void at Ashio Copper Mine, steel trusses span the full width of the processing hall, rising three storeys above a bare.Void at Ashio Copper Mine, steel trusses span the full width of the processing hall, rising three storeys above a bare.Void at Ashio Copper Mine, steel trusses span the full width of the processing hall, rising three storeys above a bare.Void at Ashio Copper Mine, steel trusses span the full width of the processing hall, rising three storeys above a bare.
01 PROVENANCE

Print datasheet

Title
Void
Series
Ashio Copper Mine
Catalogue
ACM-024
Process
Giclée
Captured
7 May 2016
Camera
NIKON D810
Lens
14.0-24.0 mm f/2.8
Aperture
f/9.0
Shutter
1/6 s
ISO
100
Focal length
14 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Ashio, Tochigi, Japan
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Ashio, Tochigi, Japan

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A large void inside the Ashio Copper Mine processing plant opens between two of the working levels, the floor of one level absent above the floor of the next. The void is rectangular in plan, framed by structural steel columns at the four corners and the floor edges around its perimeter. Cabling and pipework hang into the void from the level above, terminated where they once served a piece of plant that has since been removed. The floor of the lower level is concrete, stained where ore residue accumulated along the edges of the void. Daylight from the side windows two levels up falls into the void and reaches the lower floor as a soft rectangle of light.

Voids in a processing plant of this kind are typically the footprints of removed equipment: a large ball mill, a flotation cell, a smelter unit, a refinery vessel. When the plant was rationalised or rebuilt across the operational decades, the heavy machinery left behind these gaps in the structural floor. At Ashio the works was rebuilt and extended several times under the Furukawa modernisation from 1877 onwards. The Excavation Department closed in 1973, and the plant has stood as photographed since. The void in this image is the empty space left by a piece of plant that came out at some point in the working life.

04 FROM THE FIELD NOTES

Steel trusses span the full width of the processing hall, rising three storeys above a bare concrete floor. Rust covers every beam, every handrail, every staircase. Sandstone and poured concrete form the lower walls, stained dark with mineral residue. Corrugated cladding hangs loose in places, letting grey daylight cut through the structure. Debris and fine dust coat the ground. The air looks thick.

Brett Patman

Ashio Copper Mine

The series

Ashio Copper Mine

2016 · 24 photographs

Furukawa Ichibei acquired the Ashio mine in 1877 with financial backing from Shibusawa Eiichi. By 1922 the operation had consolidated its three separate ore-processing plants into one. The Tsudō Ore-Dressing Plant, on the Watarase River, was held up at home and abroad as a model facility for metal mines.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
06 REVIEWS · 2 FROM CUSTOMERS

What collectors say

  1. Sean D.

    16 September 2022

    A3 print Ashio Copper Mine

    The quality of this print is simpy exceptional. The image displayed on a screen doesn't come close to the detail of the print. I purchased this print as an A2 size, but plan to purchase more at an A4 size and frame them together.
  2. Positronic S.

    30 August 2022

    Art

    Brilliant photography and production
08 BY POST · NO SPAM

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