Control Room Entrance
Provenance
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 13s · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Layers of spray-painted tags cover the walls at the control room entrance at Hornsby Quarry, with tags visible through a shattered pane. Rusted metal railings and a small landing platform occupy the foreground, and a bright pink paint drip marks the lower wall below the broken glazing. Fractured windows open into an adjoining room where graffiti covers every surface.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Control Room Entrance
- Series
- Graffiti & Urban Decay
- Catalogue
- GUD-004
- Process
- Giclée
- Captured
- 7 November 2015
- Camera
- NIKON D7000
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 13s s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 297 × 210 mm
- Location
- Hornsby, New South Wales, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Hornsby, New South Wales, Australia
Map · Mapbox · OpenStreetMap
About this print
The control room entrance at Hornsby Quarry sits within the remnant crusher plant buildings that survived the site's operational years. Hornsby Quarry ran from around 1905 until 2002, when CSR Construction Materials ended extraction of crushed dolerite, the blue metal that had supplied northern Sydney's road construction for the better part of a century. By 2015, the concrete and steel structures stood open to the elements, their working life finished but their fabric intact.
Brett Patman
The series
Graffiti & Urban Decay
Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.
Print sizes
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