Screening

Provenance

Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Settings
24mm · f/8.0 · 0.8s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A large industrial screening structure occupies the frame, its steel framework weathered and discoloured. Residual aggregate and rock dust coat the surfaces. Diffuse light falls across the machinery from above. The structure stands within an open quarry environment. Several cross-members and support legs are visible.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Screening at Hornsby Quarry, unframed print displayed in situ on a wall.Screening at Hornsby Quarry, white-framed print displayed in situ on a wall.Screening at Hornsby Quarry, black-framed print displayed in situ on a wall.Screening at Hornsby Quarry, raw timber-framed print displayed in situ on a wall.Screening at Hornsby Quarry, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Screening
Series
Graffiti & Urban Decay
Catalogue
GUD-010
Process
Giclée
Captured
7 November 2015
Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Aperture
f/8.0
Shutter
0.8s s
ISO
100
Focal length
24 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Hornsby, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Hornsby, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

The steel screening structure in this photograph sorted crushed dolerite aggregate at Hornsby Quarry, part of a processing operation that supplied blue metal for road construction across northern Sydney for close to a century. The framework is heavy gauge and functional, built to handle the weight and abrasion of rock moving through it continuously. By 2015, when this photograph was made, the structure had been idle for more than a decade. Hornsby Quarry sits within a Jurassic diatreme in Old Mans Valley, off Quarry Road, Hornsby. The diatreme is the largest volcanic neck in the Sydney area, its dolerite intruding through sandstone deposits of the Sydney Basin. Quarrying of that dolerite for road aggregate began around 1905 under the Higgins family, who had farmed and timbered the valley from the 1830s. Hornsby Shire Council purchased the operation in 1912, recognising the strategic value of local volcanic rock for building and maintaining road networks across the shire. Operations passed through several operators over the following decades. Hornsby Blue Metal Limited held the quarry from 1924 to 1932. Farley and Lewers restarted extraction in 1959. CSR Limited acquired Farley and Lewers in 1980, and the operation continued under CSR Construction Materials until quarrying ceased in 2002. At peak extraction the site processed approximately 110,000 tonnes of dolerite per year. The remnant crusher and screening plant buildings were noted in Hornsby Shire Council's master plan as heritage features to be retained within the redeveloped Hornsby Park. This photograph records the screening structure as it stood in the years between closure and rehabilitation, the steel framework still holding its form, the rock dust still on its surfaces, the process it was built for long since stopped.

04 FROM THE FIELD NOTES

Inside Hornsby Quarry, a steel screening structure sits idle among the residue of nearly a century of dolerite extraction. The quarry processed blue metal aggregate for road construction across northern Sydney, operating under a succession of owners from around 1905 until 2002. Hornsby Shire Council purchased the site in 1912, recognising the value of the local volcanic material for road building. When quarrying ceased, the machinery stayed. This frame, captured in 2015, records what the operation left behind before rehabilitation of the site began.

Brett Patman

Graffiti & Urban Decay

The series

Graffiti & Urban Decay

54 photographs

Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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