Screening Conveyor

Provenance

Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Settings
24mm · f/8.0 · 4s · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Graffiti-tagged concrete pillars and inclined conveyor frames rise through multiple levels of grated metal platforms inside the processing infrastructure at Hornsby Quarry. Purple and pink spray paint marks the foreground column, while lower sections carry blue and black lettering partially obscured by railings. Light enters from openings high above, catching suspended dust across the layered steelwork.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Screening Conveyor at Hornsby Quarry, unframed print displayed in situ on a wall.Screening Conveyor at Hornsby Quarry, white-framed print displayed in situ on a wall.Screening Conveyor at Hornsby Quarry, black-framed print displayed in situ on a wall.Screening Conveyor at Hornsby Quarry, raw timber-framed print displayed in situ on a wall.Screening Conveyor at Hornsby Quarry, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Screening Conveyor
Series
Graffiti & Urban Decay
Catalogue
GUD-011
Process
Giclée
Captured
7 November 2015
Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Aperture
f/8.0
Shutter
4s s
ISO
100
Focal length
24 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Hornsby, New South Wales, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Hornsby, New South Wales, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

Graffiti-tagged concrete pillars and inclined conveyor frames rise through multiple levels of grated metal platforms inside the processing infrastructure at Hornsby Quarry. Purple and pink spray paint marks the foreground column, while lower sections carry blue and black lettering partially obscured by railings. Light enters from openings high above, catching suspended dust across the layered steelwork. Nothing in the frame was operating when it was made. Hornsby Quarry operated from around 1905, when the Higgins family began extracting dolerite from the volcanic neck beneath Old Mans Valley. The site passed to Hornsby Shire Council in 1912, then to Hornsby Blue Metal Limited in 1924, before Farley and Lewers acquired it in 1959. CSR Limited took over Farley and Lewers in 1980, consolidating into CSR Construction Materials by the time operations wound down. Annual extraction averaged approximately 110,000 tonnes of crushed dolerite, destined for road base and aggregate across northern Sydney. The quarry ran for nearly a century before extraction ceased in 2002. The rock beneath the machinery is no ordinary substrate. The Hornsby diatreme is a Jurassic volcanic neck, 146 to 200 million years old, the largest of its kind in the Sydney area. Quarrying cut more than 100 metres through it, exposing a cross-section that geologists have since classified as internationally significant. The dolerite that fed conveyors like this one is the same material that made the site worth quarrying at all, and the same material that drew researchers to the exposed face long after the machinery stopped. Hornsby Shire Council acquired the site in 2003 for $26,508,771.28, the figure determined by the NSW Land and Environment Court. The remnant crusher plant buildings, including structures associated with conveyors and processing equipment, are noted in the Hornsby Park master plan as heritage features to be retained. This photograph, made in 2015, records the conveyor before the rehabilitation works that followed.

04 FROM THE FIELD NOTES

Graffiti-tagged concrete pillars and inclined conveyor frames rise through multiple levels of grated metal platforms inside the processing infrastructure at.

Brett Patman

Graffiti & Urban Decay

The series

Graffiti & Urban Decay

54 photographs

Buildings don't stay empty. Once the owners leave, somebody else arrives. Walls that were blank become a record of who came through and when. Graffiti isn't vandalism on these surfaces , it's the only remaining evidence that anyone cared enough to be here.Urban spaces mid-collapse. The gap between what a building was built for and what it became.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.