Canola Tree

Provenance

Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Settings
42mm · f/11.0 · 1/30 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A single tree stands at the edge of a flowering canola crop near Majorca in central Victoria. The field runs in long rows that bend up over a low rise. Photographed in mid-September 2012 on an overcast spring afternoon.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Canola Tree at Landscapes, unframed print displayed in situ on a wall.Canola Tree at Landscapes, white-framed print displayed in situ on a wall.Canola Tree at Landscapes, black-framed print displayed in situ on a wall.Canola Tree at Landscapes, raw timber-framed print displayed in situ on a wall.Canola Tree at Landscapes, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Canola Tree
Process
Giclée
Captured
16 September 2012
Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Aperture
f/11.0
Shutter
1/30 s
ISO
100
Focal length
42 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
297 × 210 mm
Location
Majorca, Victoria, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Majorca, Victoria, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A single leafless tree reaches bare branches into flat grey cloud above a canola field in full yellow bloom near Majorca in central Victoria. The dead wood breaks an otherwise open horizon, with power lines and a faint treeline tracing the distance behind it. The field runs in long rows that bend up over a low rise. The contrast between the bare branches and the dense flowering crop below is stark and unadorned.

Brett photographed this on the afternoon of 16 September 2012, on the Nikon D7000 he was shooting at the time. The Landscapes collection covers his wider travel photography across Australia and Japan rather than the abandoned-places work the Lost Collective is built on. The country around Maryborough and Avoca was central Victorian goldfields and is now mixed cropping, so the history of the ground is gold and the surface of it is farming. Canola is a familiar spring crop here. Flat overcast light removes the shadow and flattens the field into a solid block of colour, which leaves the tree as the only vertical interruption in the frame, and the only thing in it that is not growing.

04 FROM THE FIELD NOTES

A dead tree standing amongst a sea of yellow on a bleak afternoon in Victoria.

Brett Patman

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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