Fenceline

Provenance

Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Settings
72mm · f/9.0 · 1/160 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A timber post fence divides a flowering green crop on the left from freshly turned brown earth on the right. The line runs straight to the horizon. A single tree stands on the right edge. Photographed at Dunnstown in central Victoria, September 2012.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
✓
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Fenceline at Landscapes, unframed print displayed in situ on a wall.Fenceline at Landscapes, white-framed print displayed in situ on a wall.Fenceline at Landscapes, black-framed print displayed in situ on a wall.Fenceline at Landscapes, raw timber-framed print displayed in situ on a wall.Fenceline at Landscapes, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Fenceline
Process
Giclée
Captured
20 September 2012
Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Aperture
f/9.0
Shutter
1/160 s
ISO
100
Focal length
72 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
297 × 210 mm
Location
Dunnstown, Victoria, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
02 LOCATION

Dunnstown, Victoria, Australia

Map · Mapbox · OpenStreetMap

03 THE STORY

About this print

A wire fence and its timber posts split the frame cleanly down the middle, separating a diagonal run of green crop rows on the left from freshly turned reddish-brown furrows on the right. The line runs straight to the horizon. A solitary stand of trees marks the far edge of the tilled paddock, small against a wide sky of scattered cloud.

Brett photographed this near Mount Clear on the southern edge of Ballarat on 20 September 2012, on the Nikon D7000. The Landscapes collection covers his wider travel photography across Australia and Japan rather than the abandoned-places work the Lost Collective is built on. Both sides of this line belong to the same farming cycle at different points: one paddock already planted and up, the other just worked over and waiting. The picture is the boundary and the contrast it draws, a single run of posts holding two states of the same ground apart. Nothing else competes with it except the stand of trees on the horizon, which is there to give the scale of the open country behind.

04 FROM THE FIELD NOTES

Sometimes the grass is greener on the other side.

Brett Patman

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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