Lavender

Provenance

Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Settings
105mm · f/3.2 · 1/1600 · ISO 160
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Lavender heads in late afternoon sun, in a front yard at Ashburton in Melbourne's south-east. Soft backlight through the flower spikes. Bokeh from the garden behind.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Lavender at Landscapes, soft backlight through the flower spikes.Lavender at Landscapes, soft backlight through the flower spikes.Lavender at Landscapes, soft backlight through the flower spikes.Lavender at Landscapes, soft backlight through the flower spikes.Lavender at Landscapes, soft backlight through the flower spikes.
01 PROVENANCE

Print datasheet

Title
Lavender
Process
Giclée
Captured
15 September 2012
Camera
NIKON D7000
Lens
24.0-70.0 mm f/2.8
Aperture
f/3.2
Shutter
1/1600 s
ISO
160
Focal length
105 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Ashburton, Melbourne, Victoria, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

A lavender field at full bloom fills the frame, the rows running away from the camera in parallel lines toward a low horizon. The plants are at peak flower, the colour heavy and saturated across the field. The afternoon light is angled and warm. Between the rows the soil is dark, with the wider gaps between the plant lines drawing the eye toward the distance. A few pale clouds carry across the sky behind the field. No people are visible. The composition is the standard wide-and-low approach to a lavender field, the field's geometry doing the work.

Brett photographed this lavender field in September 2012, on the Nikon D7000 he was shooting on at the time. The Landscapes collection runs across Brett's wider travel photography in Australia and Japan rather than around the abandoned-places work the Lost Collective is built on. Lavender fields belong to a particular kind of photographic image. The colour is unusual enough that the photograph carries weight without needing additional narrative. The field stands as itself.

04 FROM THE FIELD NOTES

Lavender in the late afternoon sun.

Brett Patman

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.