Delegate Shearers Front
Provenance
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Settings
- 180mm · f/8.0 · 1/500 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Timber and corrugated iron facade of a shearers' quarters building, facing the viewer square-on. Paint is peeling from the timber boards. Window openings are empty, no glass remaining. The corrugated iron shows heavy weathering. No figures present.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Delegate Shearers Front
- Series
- A Place to Call Home
- Catalogue
- PCH-020
- Process
- Giclée
- Captured
- 22 December 2018
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Aperture
- f/8.0
- Shutter
- 1/500 s
- ISO
- 100
- Focal length
- 180 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
The facade of the Delegate shearers' quarters stands in timber and corrugated iron, its windows emptied and its paint stripped back by decades of Monaro weather. Shearers' quarters on southern NSW stations typically housed gangs of itinerant workers through the wool clip each year, men who moved from run to run and left little behind them. Delegate sits at the southern reach of the Monaro, where European pastoral settlement arrived from 1827, and the wool industry shaped the district for well over a century before marginal properties began to empty out.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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