Boco Homestead

Provenance

Camera
NIKON Z 7
Lens
250.0-560.0 mm f/5.6
Settings
250mm · f/8.0 · 1/500 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Sunlight filters through the broken roof of Boco Homestead, illuminating dust motes in the still air. Peeling paint and crumbling plaster define this abandoned Australian dwelling, slowly returning to the earth.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Boco Homestead at A Place to Call Home, an abandoned weatherboard farmstesd perched on a hillside.Boco Homestead at A Place to Call Home, an abandoned weatherboard farmstesd perched on a hillside.Boco Homestead at A Place to Call Home, an abandoned weatherboard farmstesd perched on a hillside.Boco Homestead at A Place to Call Home, an abandoned weatherboard farmstesd perched on a hillside.Boco Homestead at A Place to Call Home, an abandoned weatherboard farmstesd perched on a hillside.
01 PROVENANCE

Print datasheet

Title
Boco Homestead
Series
A Place to Call Home
Catalogue
PCH-030
Process
Giclée
Captured
27 December 2018
Camera
NIKON Z 7
Lens
250.0-560.0 mm f/5.6
Aperture
f/8.0
Shutter
1/500 s
ISO
100
Focal length
250 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

Boco Homestead sits on a slight rise in flat country in the Snowy Monaro region, a single-storey timber and corrugated-iron home with a wraparound verandah. The front verandah is supported on slim timber posts, the roofline shallowly pitched. Behind the house, a row of fruit trees has gone wild. A timber outbuilding sits at one corner of the yard. The fence at the front of the property has fallen down in sections. The garden plantings, including old roses, a kurrajong, and a hedge of tea-tree, have continued to grow without maintenance. The verandah floorboards are still sound.

Homesteads like Boco were the working centres of grazing properties across the Monaro from the late nineteenth century through to the mid-twentieth. The family who built it lived here, ran the stock from here, and raised children here. As properties consolidated and graziers moved into nearby townships, homesteads like this were progressively abandoned. The land remained productive; the houses did not. Boco is still part of an active working property, but the homestead itself has not been lived in for decades. It is left in place because the cost of demolition is more than the property earns from the area the house sits on.

04 FROM THE FIELD NOTES

An abandoned weatherboard farmstesd perched on a hillside.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 59 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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