Brooding Skies

Provenance

Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Settings
100mm · f/6.3 · 1/3200 · ISO 640
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A derelict timber farmhouse under a heavy, overcast sky. The walls are weathered slab timber, the windowpanes broken or absent. No roof covering is visible. The structure stands without surrounding vegetation crowding the frame. Grey light falls evenly across the facade, with no shadows cast.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Brooding Skies at A Place to Call Home, unframed print displayed in situ on a wall.Brooding Skies at A Place to Call Home, white-framed print displayed in situ on a wall.Brooding Skies at A Place to Call Home, black-framed print displayed in situ on a wall.Brooding Skies at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Brooding Skies at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Brooding Skies
Series
A Place to Call Home
Catalogue
PCH-006
Process
Giclée
Captured
26 December 2016
Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Aperture
f/6.3
Shutter
1/3200 s
ISO
640
Focal length
100 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The farmhouse in this photograph is a timber slab structure: walls of split eucalyptus set between posts, built by hand, built fast, built to last long enough to matter. The Robertson Land Acts of 1861 opened the Monaro and surrounding districts to free selectors, offering up to 320 acres of Crown land at £1 per acre with a deposit of five shillings per acre and the balance due within three years, plus a residency requirement. Families came and built accordingly. A basic slab hut could go up in two to three weeks using a maul, wedge, broadaxe, and draw-blade. The walls that still stand here are the direct product of that calculation. The buildings in A Place to Call Home document the full arc of rural settlement across the Snowy Monaro region and the Hunter Valley: squatter huts from the 1830s and 1850s, selector cottages from the 1860s onward, and pastoral infrastructure built during the wool boom of the 1870s and 1880s. The 1890s drought and rabbit plague cut sheep numbers across New South Wales by half. Lower wool prices compounded the damage. The Snowy Mountains Hydro-electric Scheme, constructed between 1949 and 1974, inundated thousands of hectares of farmland and displaced pastoral communities at Jindabyne and Adaminaby. The Wool Reserve Price Scheme collapsed in 1991, crashing prices to approximately $3 per kilogram. Each of these events left more structures standing empty. This farmhouse, photographed in 2016, shows what that sequence of reversals looks like at ground level. The windowpanes are gone. The timber walls have been working through their colour range for decades, from the pale grey of fresh-split eucalyptus toward something older and darker. The sky above carries the particular weight of the Monaro in a grey season. No single catastrophe ended the life inside this building. The land simply stopped making the arithmetic work, and the family moved on, and the structure stayed.

04 FROM THE FIELD NOTES

A timber farmhouse stands under a grey, loaded sky in rural New South Wales, its slab walls weathered to the colour of old rope and its windows long since emptied of glass. The Robertson Land Acts of 1861 promised selectors 320 acres at £1 per acre and asked three years' residence in return. Many took the offer; fewer kept the land. Drought and rabbits cut through the Monaro in the 1890s, the wool price collapsed in 1991, and in between, a dozen smaller reversals sent families toward town. What remains is the timber itself, still holding its shape against a sky that looks ready to finish the job.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.