Cathcart Corner

Provenance

Camera
NIKON Z 7
Lens
24.0-70.0 mm f/2.8
Settings
34mm · f/8.0 · 1/160 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Interior wall with peeling paint in multiple layers, colours visible where each layer has lifted or curled away. A single window in the frame, glass intact, light coming through. Overgrown garden visible beyond the glass. Surfaces marked by damp and time. No furniture or fittings remain.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Cathcart Corner at A Place to Call Home, unframed print displayed in situ on a wall.Cathcart Corner at A Place to Call Home, white-framed print displayed in situ on a wall.Cathcart Corner at A Place to Call Home, black-framed print displayed in situ on a wall.Cathcart Corner at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Cathcart Corner at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Cathcart Corner
Series
A Place to Call Home
Catalogue
PCH-029
Process
Giclée
Captured
26 December 2018
Camera
NIKON Z 7
Lens
24.0-70.0 mm f/2.8
Aperture
f/8.0
Shutter
1/160 s
ISO
100
Focal length
34 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The interior walls of Cathcart Corner carry their history in layers. Paint has peeled and curled away over the years, leaving behind a cross-section of the building's occupied life: each colour sitting beneath the next, each one representing a different period and a different hand. A single window interrupts the wall, its glass still intact, framing an overgrown garden that has long since been left to return to grass and scrub. No furniture remains. The room holds nothing but those walls and that light. The locality of Cathcart sits in the southern Monaro, in what is now the Snowy Monaro region of New South Wales. It began as Taylor's Flat, where James Taylor moved stock around 1828 to 1829. The settlement served as the final staging post for teamsters carting wool and produce from the Monaro tableland to Twofold Bay at Eden on the coast. It was a working point on a working route, and the buildings that grew around it were built accordingly: functional, plain, and durable enough to serve the passage of men and goods. The broader Monaro was one of the earliest pastoral frontiers beyond the settled districts of New South Wales. Squatting runs were established from 1827 onward, followed by the wave of free selectors who took up smaller blocks after the Robertson Land Acts of 1861. The buildings that survive represent that full arc of settlement: squatter huts, selector cottages, and the consolidated infrastructure of the wool boom years. Cathcart Corner was photographed in 2018 as part of the A Place to Call Home series, which documents abandoned rural structures across the Snowy Monaro and Hunter Valley. The series records buildings that sit outside formal heritage protection, on private pastoral land, where collapse is often the only trajectory. This photograph holds what the walls still carry: the colours of a place that was lived in, looked after, and then left.

04 FROM THE FIELD NOTES

Inside Cathcart Corner, paint peels from the interior walls in layers, each colour a different period of occupation. A window frames an overgrown garden, the glass still in place. The locality of Cathcart began as Taylor's Flat, settled by James Taylor around 1828 to 1829, and served as the final staging post for teamsters carting wool and produce from the Monaro plateau down to Twofold Bay at Eden. What remains now is a structure standing in rural New South Wales, the garden gone to scrub and the rooms empty.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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