Cattle Yard
Provenance
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Settings
- 135mm · f/7.1 · 1/250 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Timber stockyard rails, leaning and split, run along a fence line where tussock grass has taken hold. A weatherboard shed has partially collapsed behind the yards. A dead gum stands bare above the roofline. Eucalypt-covered hills rise in the background.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Cattle Yard
- Series
- A Place to Call Home
- Catalogue
- PCH-008
- Process
- Giclée
- Captured
- 26 December 2016
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Aperture
- f/7.1
- Shutter
- 1/250 s
- ISO
- 100
- Focal length
- 135 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
Timber stockyard rails lean and split beside a collapsed weatherboard shed somewhere in rural New South Wales, a dead gum standing bare above what remains of the roofline. Tussock grass grows along the fence line where cattle once moved through. Eucalypt-covered hills rise behind, unchanged. Structures like these were the functional backbone of selector holdings: built by hand, worked hard, and left standing when the economics of marginal pastoral land finally ran out. This frame, made in 2016, is part of the A Place to Call Home series documenting abandoned rural buildings across the Snowy Monaro and Hunter Valley.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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