Cattle Yard

Provenance

Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Settings
135mm · f/7.1 · 1/250 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Timber stockyard rails, leaning and split, run along a fence line where tussock grass has taken hold. A weatherboard shed has partially collapsed behind the yards. A dead gum stands bare above the roofline. Eucalypt-covered hills rise in the background.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Cattle Yard at A Place to Call Home, unframed print displayed in situ on a wall.Cattle Yard at A Place to Call Home, white-framed print displayed in situ on a wall.Cattle Yard at A Place to Call Home, black-framed print displayed in situ on a wall.Cattle Yard at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Cattle Yard at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Cattle Yard
Series
A Place to Call Home
Catalogue
PCH-008
Process
Giclée
Captured
26 December 2016
Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Aperture
f/7.1
Shutter
1/250 s
ISO
100
Focal length
135 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

Timber stockyard rails lean and split along a fence line in rural New South Wales, tussock grass threading through the base of each post. Behind them, a weatherboard shed has partially collapsed, its walls giving way at the joins. A dead gum stands bare above what remains of the roofline. Eucalypt-covered hills rise in the distance. Nothing in the frame is ornamental. Every element was built to do a job. Cattle yards of this kind were standard infrastructure on selector holdings across the Monaro and Hunter regions. The Robertson Land Acts of 1861 opened Crown land to free selection in lots of up to 320 acres at £1 per acre, and the generations that followed built what they needed from what was at hand. Timber was split from local eucalypt species, posts were set directly into the ground, and rails were notched or lashed into place. The work was practical and the materials were finite; when the timber dried and the posts shifted, rails leaned, and nobody always had the time or the hands to straighten them. The 1890s brought drought and a rabbit plague that halved sheep numbers across New South Wales, and lower wool prices arrived alongside them. The Wool Reserve Price Scheme collapsed in 1991, delivering a final blow to marginal properties that had been carrying debt for decades. Buildings and yards like the ones in this photograph were abandoned in waves across more than a century, each wave leaving more structures standing empty on land that could no longer be made to pay. Photographed in 2016 as part of the A Place to Call Home series, this image is one of 59 subjects Brett Patman documented across the Snowy Monaro and Hunter Valley. The series records the physical residue of rural settlement at the point where it has stopped being maintained but has not yet disappeared entirely.

04 FROM THE FIELD NOTES

Timber stockyard rails lean and split beside a collapsed weatherboard shed somewhere in rural New South Wales, a dead gum standing bare above what remains of the roofline. Tussock grass grows along the fence line where cattle once moved through. Eucalypt-covered hills rise behind, unchanged. Structures like these were the functional backbone of selector holdings: built by hand, worked hard, and left standing when the economics of marginal pastoral land finally ran out. This frame, made in 2016, is part of the A Place to Call Home series documenting abandoned rural buildings across the Snowy Monaro and Hunter Valley.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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