Dalgety Down The Range
Provenance
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Settings
- 400mm · f/4.0 · 1/1000 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
An unsealed road descends through dry high-country terrain toward a distant valley settlement. The surrounding landscape is open and largely treeless, with low blue ranges visible on the horizon. The road curves gently as it drops, dust-coloured against the pale grass of the range.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Dalgety Down The Range
- Series
- A Place to Call Home
- Catalogue
- PCH-031
- Process
- Giclée
- Captured
- 27 December 2018
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Aperture
- f/4.0
- Shutter
- 1/1000 s
- ISO
- 100
- Focal length
- 400 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
The road drops off the range toward Dalgety in a long, unhurried curve, the Snowy River country opening out below. Dalgety was surveyed in 1874 and once seriously considered as the site for Australia's national capital before the decision turned toward Canberra. It sits in the Snowy Monaro, where European settlers arrived from 1832 onward and where the distances between places have always been part of what defines them. Photographed in 2018 as part of the A Place to Call Home series, this is the country you had to cross to get anywhere.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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