Dalgety Valley

Provenance

Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Settings
400mm · f/8.0 · 1/400 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A single decaying structure stands in open valley country. Timber walls, faded and weathered, sit beneath a rusted corrugated iron roof. The surrounding landscape is low and muted, pasture encroaching on the building's footings. No other structures are visible in the frame.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Dalgety Valley at A Place to Call Home, unframed print displayed in situ on a wall.Dalgety Valley at A Place to Call Home, white-framed print displayed in situ on a wall.Dalgety Valley at A Place to Call Home, black-framed print displayed in situ on a wall.Dalgety Valley at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Dalgety Valley at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Dalgety Valley
Series
A Place to Call Home
Catalogue
PCH-034
Process
Giclée
Captured
27 December 2018
Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Aperture
f/8.0
Shutter
1/400 s
ISO
100
Focal length
400 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The Dalgety Valley occupies the southern end of the Snowy Monaro, a broad tableland that was among the earliest pastoral frontiers beyond the settled districts of New South Wales. European squatters established runs here from 1827 onward; by 1834, the explorer Lhotsky found pastoral stations already well established throughout the region. The structure visible in this photograph, a solitary building of faded timber and rusted corrugated iron, belongs to that long history of occupation and slow retreat. Buildings of this type on the Monaro were constructed using vernacular techniques passed down through necessity rather than instruction. Slab walls were split tangentially along the timber grain using a maul and wedge, set vertically or horizontally between grooved posts. Roofing progressed from bark sheets to wooden shingles to galvanised iron as circumstances and economics allowed. A capable settler could erect a basic hut in two to three weeks. What stands in the valley now is the end point of that construction: iron gone deep brown-red with rust, timber stripped of paint by decades of exposure, the surrounding pasture working steadily at the footings. The Robertson Land Acts of 1861 transformed the Monaro from large pastoral runs into a patchwork of smaller selections, each up to 320 acres at one pound per acre. Of the roughly 62,000 selections taken up across New South Wales between 1861 and 1884, only about one-third were genuine. The rest were dummies, speculators, or squatters buying their own runs back. The buildings that survive are the physical residue of that wager against the land. Three successive blows did the most damage to the communities that built them. The Federation drought and rabbit plague of the 1890s halved sheep numbers across New South Wales. The Snowy Mountains Hydro-electric Scheme, constructed between 1949 and 1974, inundated thousands of hectares of farmland in the Jindabyne and Adaminaby areas. And the collapse of the Wool Reserve Price Scheme in 1991 drove wool prices to approximately three dollars per kilogram, finishing off many of the marginal pastoral properties that had survived everything else. The Dalgety Valley photograph, made in 2018, records what that accumulated pressure produced: a structure left standing because there was no longer anyone with a reason to maintain it.

04 FROM THE FIELD NOTES

The Dalgety Valley sits in the southern Snowy Monaro, a stretch of country that was among the earliest pastoral frontiers beyond the settled districts of New South Wales. Squatters established runs here from the 1820s onward; selectors followed after the Robertson Land Acts of 1861 opened up Crown land in 320-acre blocks. The structure in this frame, faded timber and rusted iron returning slowly to the ground, is what that long arc of settlement left behind. Three waves of decline did the rest: the 1890s drought and rabbit plague, the displacement caused by the Snowy Mountains Hydro-electric Scheme in the 1960s, and the collapse of the Wool Reserve Price Scheme in 1991.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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