Delegate Shack
Provenance
- Camera
- NIKON Z 7
- Lens
- 70.0-200.0 mm f/2.8
- Settings
- 145mm · f/8.0 · 1/640 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Weatherboard cottage, single storey, set back from the frame edge. Corrugated iron roof with heavy rust striping across the sheets. A front verandah, timber framed, largely overtaken by shrub growth. Cumulus cloud building above the tree line behind the structure. Dry pasture at the foreground.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Delegate Shack
- Series
- A Place to Call Home
- Catalogue
- PCH-019
- Process
- Giclée
- Captured
- 22 December 2018
- Camera
- NIKON Z 7
- Lens
- 70.0-200.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/640 s
- ISO
- 100
- Focal length
- 145 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
On the outskirts of Delegate, in the southern Monaro, a weatherboard cottage sits behind a verandah that shrubs have spent years reclaiming. The corrugated iron roof runs from silver-grey at the ridgeline to deep rust where water has worked longest. Delegate itself marks the southern limit of Ngarigo country and one of the earliest European settlements on the Monaro, with pastoral runs established in the district from 1827. The cottage, timber framed and iron roofed, represents the later phase of that settlement: the selector's era, when smaller blocks replaced the great squatting runs after 1861.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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