Delegate Shearers Rear
Provenance
- Camera
- NIKON D850
- Lens
- 70.0-200.0 mm f/2.8
- Settings
- 70mm · f/8.0 · 1/400 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
The rear elevation of a shearers' quarters building in Delegate, rural New South Wales. Corrugated iron cladding, aged and weathered. Timber framing visible beneath. The structure shows the wear of long exposure to the elements and extended disuse.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.
Returns Damaged in transit? We replace it. Full policy →
Ships within 10 business days · signed & numbered
In situ





Print datasheet
- Title
- Delegate Shearers Rear
- Series
- A Place to Call Home
- Catalogue
- PCH-022
- Process
- Giclée
- Captured
- 22 December 2018
- Camera
- NIKON D850
- Lens
- 70.0-200.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/400 s
- ISO
- 100
- Focal length
- 70 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
The rear of the shearers' quarters in Delegate stands as corrugated iron and aged timber, weathered by seasons of work and years of quiet since. Delegate sits at the southern end of the Monaro, a pastoral district where European settlement began in 1827 when Robert Campbell occupied Delegate Station. Buildings like this one provided basic accommodation for the seasonal workers who kept the wool clip moving across the region's runs through the shearing season.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
| Type | Size | Width | Height |
|---|