Farm Shed

Provenance

Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Settings
98mm · f/5.6 · 1/800 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A derelict farm shed photographed in 2016. Corrugated iron sheeting, heavily weathered, composes the walls and roof. Broken timbers are visible throughout the frame. Sunlight enters through gaps in the structure and falls across the interior. Surfaces show decades of rust and deterioration.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Farm Shed at A Place to Call Home, unframed print displayed in situ on a wall.Farm Shed at A Place to Call Home, white-framed print displayed in situ on a wall.Farm Shed at A Place to Call Home, black-framed print displayed in situ on a wall.Farm Shed at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Farm Shed at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Farm Shed
Series
A Place to Call Home
Catalogue
PCH-009
Process
Giclée
Captured
26 December 2016
Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Aperture
f/5.6
Shutter
1/800 s
ISO
100
Focal length
98 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

Sunlight finds its way into this farm shed through the gaps where the corrugated iron has pulled away from the frame. It falls across broken timbers and rusted sheeting, catching the texture of materials that have been weathering for a long time without anyone to slow them down. Sheds of this kind were the practical infrastructure of pastoral properties across rural New South Wales. Not the homestead, not the woolshed, but the outbuilding that kept the work moving: storing equipment, sheltering animals, housing the accumulated material of a working property. They were built to a vernacular pattern, using whatever was to hand, and they were repaired the same way. Corrugated iron replaced bark and timber shingles as roofing materials became available and affordable; the progression is visible in many surviving structures across the region. The A Place to Call Home series documents 59 subjects across the Snowy Monaro and Hunter Valley, photographed by Brett Patman between 2016 and 2019. The buildings in the series span the full arc of rural settlement in these regions: from the squatting era of the 1830s through the selector period that followed the Robertson Land Acts of 1861, to the consolidated pastoral infrastructure of the wool boom years and beyond. Each wave of economic pressure, the 1890s drought and rabbit plague, the Snowy Mountains Hydro-electric Scheme displacing communities from the 1960s, the collapse of the Wool Reserve Price Scheme in 1991, left more buildings standing empty on the landscape. This shed sits in that longer story. The corrugated iron is deep with rust, the timbers have given way in places, and the structure is returning to the ground on its own schedule. What the photograph records is the light still getting in, and the bones of the building still holding, at least for now.

04 FROM THE FIELD NOTES

Sunlight pushes through the failing walls of this rural farm shed, picking out corrugated iron gone deep with rust and timbers broken under the weight of years. Sheds like this were the practical backbone of pastoral properties across rural New South Wales, built to last a working lifetime and left standing long after the work stopped. The structure holds its form, just, while the materials return slowly to the landscape around it. Photographed in 2016 as part of the A Place to Call Home series.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.