Farm Shed
Provenance
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Settings
- 98mm · f/5.6 · 1/800 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A derelict farm shed photographed in 2016. Corrugated iron sheeting, heavily weathered, composes the walls and roof. Broken timbers are visible throughout the frame. Sunlight enters through gaps in the structure and falls across the interior. Surfaces show decades of rust and deterioration.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Farm Shed
- Series
- A Place to Call Home
- Catalogue
- PCH-009
- Process
- Giclée
- Captured
- 26 December 2016
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Aperture
- f/5.6
- Shutter
- 1/800 s
- ISO
- 100
- Focal length
- 98 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
Sunlight pushes through the failing walls of this rural farm shed, picking out corrugated iron gone deep with rust and timbers broken under the weight of years. Sheds like this were the practical backbone of pastoral properties across rural New South Wales, built to last a working lifetime and left standing long after the work stopped. The structure holds its form, just, while the materials return slowly to the landscape around it. Photographed in 2016 as part of the A Place to Call Home series.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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