Farm Shed

Provenance

Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Settings
98mm · f/5.6 · 1/800 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Sunlight streams into a derelict farm shed, illuminating decades of decay. Weathered corrugated iron and broken timbers compose this silent structure. It stands as a powerful relic of forgotten rural industry.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Farm Shed at A Place to Call Home, shot somewhere near Mount Darragh.Farm Shed at A Place to Call Home, shot somewhere near Mount Darragh.Farm Shed at A Place to Call Home, shot somewhere near Mount Darragh.Farm Shed at A Place to Call Home, shot somewhere near Mount Darragh.Farm Shed at A Place to Call Home, shot somewhere near Mount Darragh.
01 PROVENANCE

Print datasheet

Title
Farm Shed
Series
A Place to Call Home
Catalogue
PCH-009
Process
Giclée
Captured
26 December 2016
Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Aperture
f/5.6
Shutter
1/800 s
ISO
100
Focal length
98 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
04 FROM THE FIELD NOTES

Shot somewhere near Mount Darragh.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 59 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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