Home In The Valley

Provenance

Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Settings
400mm · f/8.0 · 1/200 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A weatherboard farmhouse in open paddock, verandah structure collapsed. Corrugated iron lifts from the roofline at the eaves. A brick chimney stands intact at one end. Dry grass surrounds the building on all sides. Low rolling hills visible in the background.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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Ships within 10 business days · signed & numbered

In situ

Home In The Valley at A Place to Call Home, unframed print displayed in situ on a wall.Home In The Valley at A Place to Call Home, white-framed print displayed in situ on a wall.Home In The Valley at A Place to Call Home, black-framed print displayed in situ on a wall.Home In The Valley at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Home In The Valley at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Home In The Valley
Series
A Place to Call Home
Catalogue
PCH-001
Process
Giclée
Captured
16 December 2016
Camera
NIKON D810
Lens
80.0-400.0 mm f/4.5-5.6
Aperture
f/8.0
Shutter
1/200 s
ISO
100
Focal length
400 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

A weatherboard farmhouse stands in open paddock, the verandah collapsed at one end, sheets of corrugated iron lifting away from the roofline. A brick chimney holds its line against the sky where much of the rest has given way. Dry grass covers the ground on all sides, running to the base of the walls and out across the flat toward a low ridge of rolling hills. There is no shade left and nothing to mark where the yard once ended. Timber-framed selector's cottages of this kind were built in large numbers across rural New South Wales following the Robertson Land Acts of 1861, which opened Crown land to free selection at £1 per acre. A settler could erect a basic slab or weatherboard hut in two to three weeks; later generations added verandahs, brick chimneys, and iron roofs as circumstances allowed. The buildings in the A Place to Call Home series represent the full arc of that rural settlement: squatter huts of the 1830s through to consolidated pastoral structures of the wool boom era and the more modest selector cottages that followed. Three waves of decline cut through the communities that built these places. The 1890s Federation drought and rabbit plague halved sheep numbers across New South Wales and drove down wool prices at the same time. The Snowy Mountains Hydro-electric Scheme, constructed between 1949 and 1974, displaced pastoral families and inundated thousands of hectares of farmland in the Jindabyne and Adaminaby areas. The 1991 collapse of the Wool Reserve Price Scheme, when prices fell to approximately $3 per kilogram, was the final economic blow to many marginal properties across the region. What the 2016 photograph records is the cumulative result of that long decline: a structure that was once someone's house, now open to the paddock, the chimney outlasting everything built around it. Home In The Valley is one of 59 subjects in the A Place to Call Home series, photographed by Brett Patman across the Snowy Monaro region and Hunter Valley between 2016 and 2019.

04 FROM THE FIELD NOTES

A weatherboard farmhouse sits in open paddock, the verandah gone at one end, corrugated iron pulling away from the roofline. The brick chimney is the most intact thing left. Dry grass runs to the base of the walls and out across the flat to the hills behind. Timber-framed selector's cottages like this one were the physical result of the Robertson Land Acts of 1861, which opened Crown land to selection at £1 per acre and drew families onto blocks of 40 to 320 acres across rural New South Wales. By the late nineteenth century, drought, rabbit plague, and falling wool prices had already begun thinning out the communities that built them.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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