Hunter Hiding
Provenance
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 1/500 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A lone fox watches from the shadows of a decaying homestead. Dust motes dance in the broken light, revealing the forgotten corners of a once-loved home.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ
Print datasheet
- Title
- Hunter Hiding
- Series
- A Place to Call Home
- Catalogue
- PCH-055
- Process
- Giclée
- Captured
- 3 January 2019
- Camera
- NIKON D850
- Lens
- 14.0-24.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/500 s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
A weatherboard farmhouse sits back from the road edge, half-swallowed by dense green scrub. Corrugated iron roofing shows patches of rust red bleeding through old silver paint. A brick chimney rises from the centre ridge. The verandah posts still stand, but lantana and wild growth press against the rails and climb toward the gutterline. A timber post-and-rail fence runs across the front, sagging in places. Timbered hills close in behind. The sky is wide and clear.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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