Hunter Hilltop

Provenance

Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Settings
390mm · f/8.0 · 1/30 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A single derelict dwelling on an open, windswept hilltop. Windows broken, frames intact. The structure leans into the elements, walls still standing. Valley stretches out below and beyond the building. Vegetation presses in at the base of the walls.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Hunter Hilltop at A Place to Call Home, unframed print displayed in situ on a wall.Hunter Hilltop at A Place to Call Home, white-framed print displayed in situ on a wall.Hunter Hilltop at A Place to Call Home, black-framed print displayed in situ on a wall.Hunter Hilltop at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Hunter Hilltop at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Hunter Hilltop
Series
A Place to Call Home
Catalogue
PCH-056
Process
Giclée
Captured
3 January 2019
Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Aperture
f/8.0
Shutter
1/30 s
ISO
100
Focal length
390 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

On an exposed Hunter hilltop, a derelict dwelling faces the valley with broken windows and walls that have begun their slow return to the ground. The roof line holds. The frames remain. But the glass is gone, and whatever once kept the weather out has long since failed. The structure sits in the open, with no shelter from the wind that moves across the ridge. Buildings of this kind represent the furthest reach of rural settlement across New South Wales. The Robertson Land Acts of 1861 opened Crown land to free selection, allowing selectors to take up blocks of between 40 and 320 acres at £1 per acre. In practice, the arrangement was difficult. Only about one-third of the 62,000 selections taken up between 1861 and 1884 across New South Wales were genuine attempts to farm the land. The rest were speculative, or dummy selections made on behalf of squatters consolidating their runs. The families who did stay faced drought, falling wool prices, and land that, in marginal country, simply could not carry enough stock to sustain a household across generations. The Hunter Valley sits outside the Snowy Monaro heartland of this series, but the trajectory is the same: settled, worked, and eventually left. When a generation moved to town, or when the land could no longer be worked, the buildings stayed behind. Most sit in a gap between the formally protected alpine huts maintained by volunteer organisations and the heritage items listed in local environmental plans. For these structures, no such protection applies. What remains is what the weather has not yet taken. This photograph, made in 2019, records what is still standing. The valley below the hilltop is unchanged. The building is not. Part of the A Place to Call Home series, which documents 59 subjects across the Snowy Monaro region and Hunter Valley of New South Wales, photographed between 2016 and 2019.

04 FROM THE FIELD NOTES

A derelict dwelling occupies a windswept hilltop in the Hunter Valley, its broken windows facing out over the valley floor. The structure is still standing, but only just, yielding incrementally to weather and time. Buildings like this one were raised by selectors and graziers who worked the land through boom and bust, and abandoned as each generation found the margins too thin to hold. No formal heritage protection applies to most of them. Collapse is the only trajectory that remains.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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