Hunter Hilltop
Provenance
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Settings
- 390mm · f/8.0 · 1/30 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A derelict dwelling occupies a windswept Hunter hilltop. Its broken windows stare out over the valley, a silent sentinel to decades of forgotten lives. The structure slowly yields to the elements.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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Ships within 10 business days · signed & numbered
In situ





Print datasheet
- Title
- Hunter Hilltop
- Series
- A Place to Call Home
- Catalogue
- PCH-056
- Process
- Giclée
- Captured
- 3 January 2019
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Aperture
- f/8.0
- Shutter
- 1/30 s
- ISO
- 100
- Focal length
- 390 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
A low timber shed sits in open green pasture beneath an overcast sky. Corrugated iron roofing has rusted to a deep orange, galvanised coating long gone. Weathered hardwood boards form the walls, grey and split. A single dark doorway opens at centre. A tall eucalypt rises behind the roofline, pale bark peeling from its upper limbs. Forested hills dissolve into haze beyond.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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