Hunter Hilltop
Provenance
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Settings
- 390mm · f/8.0 · 1/30 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A single derelict dwelling on an open, windswept hilltop. Windows broken, frames intact. The structure leans into the elements, walls still standing. Valley stretches out below and beyond the building. Vegetation presses in at the base of the walls.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Hunter Hilltop
- Series
- A Place to Call Home
- Catalogue
- PCH-056
- Process
- Giclée
- Captured
- 3 January 2019
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Aperture
- f/8.0
- Shutter
- 1/30 s
- ISO
- 100
- Focal length
- 390 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
A derelict dwelling occupies a windswept hilltop in the Hunter Valley, its broken windows facing out over the valley floor. The structure is still standing, but only just, yielding incrementally to weather and time. Buildings like this one were raised by selectors and graziers who worked the land through boom and bust, and abandoned as each generation found the margins too thin to hold. No formal heritage protection applies to most of them. Collapse is the only trajectory that remains.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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