Hunter Hut

Provenance

Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Settings
180mm · f/8.0 · 1/125 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A small corrugated iron hut in open bushland. The iron is rusted and weathered. The structure sits alone, no other buildings visible. Low vegetation surrounds the base. The sky is open above.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Hunter Hut at A Place to Call Home, unframed print displayed in situ on a wall.Hunter Hut at A Place to Call Home, white-framed print displayed in situ on a wall.Hunter Hut at A Place to Call Home, black-framed print displayed in situ on a wall.Hunter Hut at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Hunter Hut at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Hunter Hut
Series
A Place to Call Home
Catalogue
PCH-058
Process
Giclée
Captured
3 January 2019
Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Aperture
f/8.0
Shutter
1/125 s
ISO
100
Focal length
180 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The hut is corrugated iron, rusted the colour of dry earth. It stands alone in the Hunter Valley bush, no outbuildings nearby, no fence line visible, nothing to indicate who built it or when. Structures of this kind were common across rural New South Wales from the second half of the nineteenth century onward. Galvanised iron gradually replaced bark roofing and timber shingles as the preferred material for remote shelters. It was faster to transport, faster to fix, and required no specialist skill to nail down. A person could erect a basic shelter in days. The hut in this photograph belongs to a long tradition of vernacular bush construction. Where earlier settlers had split timber slabs using a maul and wedge, later builders reached for corrugated iron sheeting and timber framing. The result was a building type found across the ranges, the tableland, and the coastal valleys of New South Wales: single-room, minimal, built to serve a specific need and nothing more. No newspaper-lined walls to keep out draughts. No lean-to extension. Just four walls and a roof in open country. The Hunter Valley locations in the A Place to Call Home series are listed in the research file but carry no individually verified construction dates or family histories. What can be said with certainty is what the photograph records: a structure that has weathered past its useful life and now stands in the bush as evidence that someone, at some point, needed a place to sleep in remote country. The A Place to Call Home series was photographed by Brett Patman across the Snowy Monaro region and Hunter Valley between 2016 and 2019. The 59 subjects in the series range from squatter huts and selector cottages to shearers' quarters and pastoral outbuildings. This Hunter Valley hut was photographed in 2019.

04 FROM THE FIELD NOTES

A corrugated iron hut, weathered to a deep rust, stands alone in the Hunter Valley bush. Structures like this were built quickly and for a single purpose: to put a roof over a person's head in remote country. No ornamentation, no insulation, no concession to comfort. The galvanised iron that replaced bark and timber shingles across rural New South Wales from the mid-nineteenth century onward made these shelters faster to build and longer to last, but no easier to live in. This one has outlasted whoever needed it.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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