Hunter Hut
Provenance
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Settings
- 180mm · f/8.0 · 1/125 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A small corrugated iron hut in open bushland. The iron is rusted and weathered. The structure sits alone, no other buildings visible. Low vegetation surrounds the base. The sky is open above.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Hunter Hut
- Series
- A Place to Call Home
- Catalogue
- PCH-058
- Process
- Giclée
- Captured
- 3 January 2019
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Aperture
- f/8.0
- Shutter
- 1/125 s
- ISO
- 100
- Focal length
- 180 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
A corrugated iron hut, weathered to a deep rust, stands alone in the Hunter Valley bush. Structures like this were built quickly and for a single purpose: to put a roof over a person's head in remote country. No ornamentation, no insulation, no concession to comfort. The galvanised iron that replaced bark and timber shingles across rural New South Wales from the mid-nineteenth century onward made these shelters faster to build and longer to last, but no easier to live in. This one has outlasted whoever needed it.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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