Home Amongst The Gums
Provenance
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Settings
- 360mm · f/6.3 · 1/500 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
An abandoned timber dwelling surrounded by tall eucalyptus trees. The corrugated iron roof is heavily rusted. Paint has peeled from the timber walls in large sections. Leaf litter and bush growth press close to the structure on all sides.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Home Amongst The Gums
- Series
- A Place to Call Home
- Catalogue
- PCH-023
- Process
- Giclée
- Captured
- 22 December 2018
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Aperture
- f/6.3
- Shutter
- 1/500 s
- ISO
- 100
- Focal length
- 360 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
A timber dwelling stands in rural New South Wales, eucalyptus trees growing close enough now that the canopy has all but closed over the corrugated iron roof. The iron has rusted deep brown-red. Paint has lifted from the timber walls and gone. Structures like this went up across the pastoral districts of New South Wales from the 1860s onward, built quickly from local timber by selectors and graziers working land that was often marginal from the start. The bush does not wait. Without anyone to hold it back, it moves in steadily, and eventually the building becomes part of the landscape again.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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