Home Amongst The Gums

Provenance

Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Settings
360mm · f/6.3 · 1/500 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

An abandoned timber dwelling surrounded by tall eucalyptus trees. The corrugated iron roof is heavily rusted. Paint has peeled from the timber walls in large sections. Leaf litter and bush growth press close to the structure on all sides.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Home Amongst The Gums at A Place to Call Home, unframed print displayed in situ on a wall.Home Amongst The Gums at A Place to Call Home, white-framed print displayed in situ on a wall.Home Amongst The Gums at A Place to Call Home, black-framed print displayed in situ on a wall.Home Amongst The Gums at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Home Amongst The Gums at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Home Amongst The Gums
Series
A Place to Call Home
Catalogue
PCH-023
Process
Giclée
Captured
22 December 2018
Camera
NIKON Z 7
Lens
180.0-400.0 mm f/4.0
Aperture
f/6.3
Shutter
1/500 s
ISO
100
Focal length
360 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

A timber dwelling stands in rural New South Wales, its corrugated iron roof rusted to a deep brown-red, paint lifting from the walls in long curling sheets. Tall eucalyptus trees press in close on all sides, their canopy now reaching well above the roofline. The bush is not dramatic about it. It just keeps growing, and the building keeps giving way. Structures like this went up across the pastoral districts of New South Wales from the 1860s onward. The Robertson Land Acts of 1861 allowed free selection of up to 320 acres of Crown land, and settlers moved onto the Monaro and surrounding regions in numbers, building quickly from local timber using a maul, wedge, and broadaxe. A basic slab hut could be raised in two to three weeks. The timber walls were split tangentially along the grain, set between grooved posts, and the roofing followed whatever materials were available, progressing over generations from bark to wooden shingles to galvanised iron. Most of these properties were always working against the odds. The 1890s brought drought, a rabbit plague, and falling wool prices that halved sheep numbers across New South Wales. The 1991 collapse of the Wool Reserve Price Scheme, which sent prices crashing to around $3 per kilogram, delivered the final blow to many marginal pastoral properties. Each wave of hardship left more buildings standing empty. What remains here is the corrugated iron, the timber frame, and the trees. The photograph, made in 2018, records the building at a point well into that process of return. The walls still stand. The roof still holds its shape, just. But the eucalyptus trees are not waiting. Part of the A Place to Call Home series, which documents abandoned rural dwellings across New South Wales photographed by Brett Patman between 2016 and 2019.

04 FROM THE FIELD NOTES

A timber dwelling stands in rural New South Wales, eucalyptus trees growing close enough now that the canopy has all but closed over the corrugated iron roof. The iron has rusted deep brown-red. Paint has lifted from the timber walls and gone. Structures like this went up across the pastoral districts of New South Wales from the 1860s onward, built quickly from local timber by selectors and graziers working land that was often marginal from the start. The bush does not wait. Without anyone to hold it back, it moves in steadily, and eventually the building becomes part of the landscape again.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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