Jindabyne Hut
Provenance
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Settings
- 400mm · f/4.0 · 1/400 · ISO 200
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A single-storey timber slab and corrugated iron hut set in open high country. The iron roof and timber walls show advanced weathering. No outbuildings visible in frame. Dry grass surrounds the structure. Mountain landscape in background.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Jindabyne Hut
- Series
- A Place to Call Home
- Catalogue
- PCH-050
- Process
- Giclée
- Captured
- 30 December 2018
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Aperture
- f/4.0
- Shutter
- 1/400 s
- ISO
- 200
- Focal length
- 400 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
In the high country above Jindabyne, a timber and corrugated iron hut stands in open alpine pasture. Structures of this type were built for stockmen navigating the Snowy Mountains, where summer grazing runs took men and livestock far from any settled place. The slab timber and iron construction is characteristic of high-country shelters across the Australian Alps, where the conditions demanded something solid and the materials available dictated the form. Over 200 historic huts survive across the Australian Alps National Parks, though many more like this one sit outside formal heritage protection, on private pastoral land, with no organised maintenance behind them.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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