Lochview Cottage
Provenance
- Camera
- NIKON Z 7
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 24mm · f/8.0 · 1/60 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Lochview Cottage stands derelict, its windows broken and roof collapsing. Nature reclaims the structure. Weeds grow through the floorboards. The remains of a home endure, forgotten.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Lochview Cottage
- Series
- A Place to Call Home
- Catalogue
- PCH-016
- Process
- Giclée
- Captured
- 21 December 2018
- Camera
- NIKON Z 7
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/60 s
- ISO
- 100
- Focal length
- 24 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
A small weatherboard cottage sits low in a flat green clearing, backed by dense eucalyptus bush. Two mismatched corrugated iron rooflines meet at a red brick chimney. The left section has rusted to a deep oxide. The right holds its grey galvanising but is perforated with holes where sheets have corroded through. A tree fern grows tight against the brickwork. A rusted fuel tank leans into the right wall. Cream-painted cladding is stained at the edges. The grass is thick and wet. The sky is overcast, flat, colourless.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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