Lochview Cottage

Provenance

Camera
NIKON Z 7
Lens
24.0-70.0 mm f/2.8
Settings
24mm · f/8.0 · 1/60 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Lochview Cottage stands derelict, its windows broken and roof collapsing. Nature reclaims the structure. Weeds grow through the floorboards. The remains of a home endure, forgotten.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 10 to 20 business days (framed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Lochview Cottage at A Place to Call Home, a small weatherboard cottage sits low in a flat green clearing, backed by dense.Lochview Cottage at A Place to Call Home, a small weatherboard cottage sits low in a flat green clearing, backed by dense.Lochview Cottage at A Place to Call Home, a small weatherboard cottage sits low in a flat green clearing, backed by dense.Lochview Cottage at A Place to Call Home, a small weatherboard cottage sits low in a flat green clearing, backed by dense.Lochview Cottage at A Place to Call Home, a small weatherboard cottage sits low in a flat green clearing, backed by dense.
01 PROVENANCE

Print datasheet

Title
Lochview Cottage
Series
A Place to Call Home
Catalogue
PCH-016
Process
Giclée
Captured
21 December 2018
Camera
NIKON Z 7
Lens
24.0-70.0 mm f/2.8
Aperture
f/8.0
Shutter
1/60 s
ISO
100
Focal length
24 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

Lochview Cottage is a small timber and stone cottage on a wooded slope above a small lake in southern NSW. The cottage is a single-room structure with an attached lean-to for storage. The roof is corrugated iron, recently replaced. The front verandah looks down toward the lake, framed by a few large eucalypts. The garden around the cottage is overgrown but contains a few introduced ornamentals: daffodils in spring, an old pear tree, a hedge of escallonia. The cottage's small size puts it in the category of holiday accommodation rather than working homestead.

Cottages like Lochview were built across rural NSW in the early to mid-twentieth century as weekend retreats for city families with property in the country. They were small, basic, and intended for occasional use. As family circumstances changed and property was inherited or sold, many of these cottages stopped being visited. The current condition of Lochview Cottage suggests it has been used occasionally for the past decade or so, with periods of full vacancy in between. The corrugated-iron roof was replaced at some recent point, indicating that whoever owns the cottage has spent at least some money on keeping it standing. It is not abandoned, but it is not occupied either.

04 FROM THE FIELD NOTES

A small weatherboard cottage sits low in a flat green clearing, backed by dense eucalyptus bush. Two mismatched corrugated iron rooflines meet at a red brick chimney. The left section has rusted to a deep oxide. The right holds its grey galvanising but is perforated with holes where sheets have corroded through. A tree fern grows tight against the brickwork. A rusted fuel tank leans into the right wall. Cream-painted cladding is stained at the edges. The grass is thick and wet. The sky is overcast, flat, colourless.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 59 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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