Mogilla Roadside
Provenance
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Settings
- 400mm · f/8.0 · 1/250 · ISO 1600
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A timber and wire fence line in a state of decline, posts leaning and weathered grey. Dry earth at the base, sparse low vegetation beyond. A wide sky dominates the upper frame. No structures visible, the boundary itself the only built element remaining.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Mogilla Roadside
- Series
- A Place to Call Home
- Catalogue
- PCH-003
- Process
- Giclée
- Captured
- 20 December 2016
- Camera
- NIKON D810
- Lens
- 80.0-400.0 mm f/4.5-5.6
- Aperture
- f/8.0
- Shutter
- 1/250 s
- ISO
- 1600
- Focal length
- 400 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
Along Mogilla Road in rural New South Wales, a fence line is about all that remains to mark a boundary that once meant something. The posts lean, the wire sags, and the dry earth around them offers little indication of who worked this land or when they left. Properties like this one were shaped by the waves of selection, drought, and economic collapse that progressively emptied the southern NSW countryside across the twentieth century. The fence holds its line, for now.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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