Myrtle Mountain Shack
Provenance
- Camera
- NIKON D850
- Lens
- 70.0-200.0 mm f/2.8
- Settings
- 70mm · f/8.0 · 1/500 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A single timber shack on an open hillside at Myrtle Mountain. The corrugated iron roof sags along its ridge line. Paint has peeled from the exterior timber walls in large sections, exposing bare timber and earlier paint layers beneath. The structure stands in isolation with no outbuildings visible in the frame.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Myrtle Mountain Shack
- Series
- A Place to Call Home
- Catalogue
- PCH-024
- Process
- Giclée
- Captured
- 22 December 2018
- Camera
- NIKON D850
- Lens
- 70.0-200.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/500 s
- ISO
- 100
- Focal length
- 70 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
The shack on Myrtle Mountain is the kind of building that does not appear in any heritage register. Its corrugated iron roof has begun to give way, and the paint on the timber walls has peeled back through several layers, each one a different decade. Structures like this were put up across rural New South Wales from the 1830s onward, built quickly from whatever the land offered, and left when the land could no longer be worked. This one still stands, for now.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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