Myrtle Mountain Shack

Provenance

Camera
NIKON D850
Lens
70.0-200.0 mm f/2.8
Settings
70mm · f/8.0 · 1/500 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A single timber shack on an open hillside at Myrtle Mountain. The corrugated iron roof sags along its ridge line. Paint has peeled from the exterior timber walls in large sections, exposing bare timber and earlier paint layers beneath. The structure stands in isolation with no outbuildings visible in the frame.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Myrtle Mountain Shack at A Place to Call Home, unframed print displayed in situ on a wall.Myrtle Mountain Shack at A Place to Call Home, white-framed print displayed in situ on a wall.Myrtle Mountain Shack at A Place to Call Home, black-framed print displayed in situ on a wall.Myrtle Mountain Shack at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Myrtle Mountain Shack at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Myrtle Mountain Shack
Series
A Place to Call Home
Catalogue
PCH-024
Process
Giclée
Captured
22 December 2018
Camera
NIKON D850
Lens
70.0-200.0 mm f/2.8
Aperture
f/8.0
Shutter
1/500 s
ISO
100
Focal length
70 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The shack on Myrtle Mountain is held together more by habit than by structure. Its corrugated iron roof has sagged along the ridge, the sheets pulling away from the rafters beneath. The exterior timber walls have shed their paint in long peeling strips, exposing layers going back through decades of maintenance and neglect, each coat a record of someone who still cared enough to paint it. Buildings like this one were put up across rural New South Wales from the 1830s onward. The methods changed little for generations: split timber, corrugated iron when it became available, a door at one end and a window somewhere along the wall. A settler could raise a basic hut in two to three weeks using a maul, wedge, and broadaxe. The expectation was not permanence but shelter, and shelter was enough. The Snowy Monaro region and surrounding rural districts saw waves of construction tied directly to economic conditions: the squatter runs of the 1830s and 1840s, the selector period following the Robertson Land Acts of 1861, the wool boom consolidation of the 1870s and 1880s, and then a long succession of pressures that made marginal country unworkable. The 1890s drought and rabbit plague halved sheep numbers across New South Wales. The 1991 collapse of the Wool Reserve Price Scheme pushed prices to around $3 per kilogram. Each wave left more buildings standing empty. Myrtle Mountain shack sits in that longer story. No formal heritage listing protects it. No volunteer organisation maintains it. The iron will keep lifting at the edges, the timber will keep moving with moisture, and the paint will keep finding new places to peel. What the 2018 photograph records is a structure still upright, still legible, still there to be looked at before it is not. Part of the A Place to Call Home series, documenting rural vernacular buildings across New South Wales photographed between 2016 and 2019.

04 FROM THE FIELD NOTES

The shack on Myrtle Mountain is the kind of building that does not appear in any heritage register. Its corrugated iron roof has begun to give way, and the paint on the timber walls has peeled back through several layers, each one a different decade. Structures like this were put up across rural New South Wales from the 1830s onward, built quickly from whatever the land offered, and left when the land could no longer be worked. This one still stands, for now.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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