Nissen Hut Barn

Provenance

Camera
NIKON Z 7
Lens
250.0-560.0 mm f/5.6
Settings
250mm · f/5.6 · 1/250 · ISO 100
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A Nissen hut converted to a barn, photographed from outside. Corrugated iron curves in a full arch from ground to ridge. Rust streaks run the length of the panels. Hay bales are visible inside the structure. The surrounding land is open rural New South Wales.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Nissen Hut Barn at A Place to Call Home, unframed print displayed in situ on a wall.Nissen Hut Barn at A Place to Call Home, white-framed print displayed in situ on a wall.Nissen Hut Barn at A Place to Call Home, black-framed print displayed in situ on a wall.Nissen Hut Barn at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Nissen Hut Barn at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Nissen Hut Barn
Series
A Place to Call Home
Catalogue
PCH-043
Process
Giclée
Captured
29 December 2018
Camera
NIKON Z 7
Lens
250.0-560.0 mm f/5.6
Aperture
f/5.6
Shutter
1/250 s
ISO
100
Focal length
250 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

The Nissen hut is one of the more functional forms ever pressed into military service: a half-cylinder of corrugated iron bolted together over a timber frame, simple enough for a working party to erect in an afternoon, strong enough to last decades beyond any war. This one is still standing, still working, its arching shell now given over to hay rather than personnel. Post-WWII Australia saw surplus Nissen huts dispersed across the country. Farms were a natural destination. The curved profile sheds water without guttering, the corrugated iron requires no internal framing to support a roof, and the open ends can be closed or left clear depending on what the building needs to hold. For a grazier short on storage and long on hay, the logic was straightforward. The research file for the A Place to Call Home series records one Nissen hut conversion among the 59 subjects Brett Patman photographed across rural New South Wales between 2016 and 2019; this is that building. By 2018, when this photograph was made, rust had moved well along the iron. The streaks run vertically down the arch, the corrugations channelling water and oxide together over many seasons. The metal has shifted from the silver-grey of new galvanising toward the deep brown-red that accumulates across decades of exposure. Inside, hay bales sit in the dry dark under the curve. The A Place to Call Home series documents structures across the Snowy Monaro region and the Hunter Valley: slab huts, selector's cottages, shearers' quarters, stone homesteads, and pastoral outbuildings in various states of decline. Most represent the arc of rural settlement from the 1830s squatter period through to the long twentieth-century retreat from marginal land. The Nissen hut barn sits outside that chronology but not outside that story. It is a building that arrived as surplus, was put to use, and has continued to hold its ground long after the original purpose was gone.

04 FROM THE FIELD NOTES

A Nissen hut stands on a rural New South Wales property, its arching corrugated iron shell now sheltering hay bales rather than the soldiers it was designed for. Post-WWII surplus brought these prefabricated structures to farms across Australia, where their simple curved form proved as useful to a grazier as it had been to the military. Rust has worked its way across the iron in long streaks, a record of decades spent in open country. The structure still holds its shape and still holds its load.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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