Nissen Hut Barn
Provenance
- Camera
- NIKON Z 7
- Lens
- 250.0-560.0 mm f/5.6
- Settings
- 250mm · f/5.6 · 1/250 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A Nissen hut converted to a barn, photographed from outside. Corrugated iron curves in a full arch from ground to ridge. Rust streaks run the length of the panels. Hay bales are visible inside the structure. The surrounding land is open rural New South Wales.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Nissen Hut Barn
- Series
- A Place to Call Home
- Catalogue
- PCH-043
- Process
- Giclée
- Captured
- 29 December 2018
- Camera
- NIKON Z 7
- Lens
- 250.0-560.0 mm f/5.6
- Aperture
- f/5.6
- Shutter
- 1/250 s
- ISO
- 100
- Focal length
- 250 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
A Nissen hut stands on a rural New South Wales property, its arching corrugated iron shell now sheltering hay bales rather than the soldiers it was designed for. Post-WWII surplus brought these prefabricated structures to farms across Australia, where their simple curved form proved as useful to a grazier as it had been to the military. Rust has worked its way across the iron in long streaks, a record of decades spent in open country. The structure still holds its shape and still holds its load.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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