Numbla Vale Buildings
Provenance
- Camera
- NIKON D850
- Lens
- 24.0-70.0 mm f/2.8
- Settings
- 48mm · f/8.0 · 1/160 · ISO 100
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A rusted corrugated iron roof caps a timber-clad cottage on open grassland, with a separate outbuilding to the left and a line of trees along the horizon. Power lines cross a wide, cloud-filled sky above the Monaro tableland. The property sits alone against the plain, one of many dispersed holdings across a plateau of roughly 16,000 square kilometres.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Numbla Vale Buildings
- Series
- A Place to Call Home
- Catalogue
- PCH-053
- Process
- Giclée
- Captured
- 30 December 2018
- Camera
- NIKON D850
- Lens
- 24.0-70.0 mm f/2.8
- Aperture
- f/8.0
- Shutter
- 1/160 s
- ISO
- 100
- Focal length
- 48 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 297 × 210 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
Rural New South Wales and ACT, Australia
Map · Mapbox · OpenStreetMap
About this print
At Numbla Vale in the Snowy Monaro, a group of timber-framed buildings stands in various stages of collapse. Corrugated iron roofs, stained deep with rust, rest on frames that have lost their square. The buildings are the kind that went up fast, erected by settlers who knew how to work timber and had little else to work with. Slab construction and galvanised iron were the materials of the Monaro. What remains here is what the land and the weather have not yet taken.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
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