Numbla Vale Cottage
Provenance
- Camera
- NIKON Z 7
- Lens
- 250.0-560.0 mm f/5.6
- Settings
- 390mm · f/5.6 · 1/400 · ISO 400
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Numbla Vale Cottage stands weathered and quiet. Its timber walls lean gently, paint peeling away. The corrugated iron roof shows rust. This forgotten home sits amidst the vast, silent landscape.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.
Returns Damaged in transit? We replace it. Full policy →
Ships within 10 business days · signed & numbered
In situ
Print datasheet
- Title
- Numbla Vale Cottage
- Series
- A Place to Call Home
- Catalogue
- PCH-054
- Process
- Giclée
- Captured
- 30 December 2018
- Camera
- NIKON Z 7
- Lens
- 250.0-560.0 mm f/5.6
- Aperture
- f/5.6
- Shutter
- 1/400 s
- ISO
- 400
- Focal length
- 390 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
A stone cottage sits low in open pastoral country near Numbla Vale, south-east New South Wales. Rough-cut sandstone walls support a corrugated iron roof streaked with rust. A brick chimney rises from the gable end. Galvanised steel lean-tos and timber yard fencing press against the rear. Dry grass thins to green closer to the house. Sheep graze beside a water tank. Power lines cross a pale, overcast sky.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
| Type | Size | Width | Height |
|---|
