Numbla Vale Cottage
Provenance
- Camera
- NIKON Z 7
- Lens
- 250.0-560.0 mm f/5.6
- Settings
- 390mm · f/5.6 · 1/400 · ISO 400
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
A small timber cottage, walls leaning, paint largely gone. Corrugated iron roof showing advanced rust across its full span. Bare timber grain visible where the paint has peeled. The building sits within a wide, quiet rural landscape. No outbuildings visible in the frame.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Numbla Vale Cottage
- Series
- A Place to Call Home
- Catalogue
- PCH-054
- Process
- Giclée
- Captured
- 30 December 2018
- Camera
- NIKON Z 7
- Lens
- 250.0-560.0 mm f/5.6
- Aperture
- f/5.6
- Shutter
- 1/400 s
- ISO
- 400
- Focal length
- 390 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
Numbla Vale Cottage stands in open country in rural New South Wales, its timber walls leaning gently under the load of seasons, paint stripped back to bare grain. The corrugated iron roof has gone the deep red-brown of old rust. Structures like this one were built by selectors working small blocks of Crown land from the 1860s onward, erected in a matter of weeks using split timber and galvanised iron. This one has long since been left to the landscape around it.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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