Numbla Vale Cottage

Provenance

Camera
NIKON Z 7
Lens
250.0-560.0 mm f/5.6
Settings
390mm · f/5.6 · 1/400 · ISO 400
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

A small timber cottage, walls leaning, paint largely gone. Corrugated iron roof showing advanced rust across its full span. Bare timber grain visible where the paint has peeled. The building sits within a wide, quiet rural landscape. No outbuildings visible in the frame.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
See certificate sample →

Shipping Free shipping over $250. Ships worldwide, rates calculated at checkout.

Returns Damaged in transit? We replace it. Full policy →

Ships within 10 business days · signed & numbered

In situ

Numbla Vale Cottage at A Place to Call Home, unframed print displayed in situ on a wall.Numbla Vale Cottage at A Place to Call Home, white-framed print displayed in situ on a wall.Numbla Vale Cottage at A Place to Call Home, black-framed print displayed in situ on a wall.Numbla Vale Cottage at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Numbla Vale Cottage at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Numbla Vale Cottage
Series
A Place to Call Home
Catalogue
PCH-054
Process
Giclée
Captured
30 December 2018
Camera
NIKON Z 7
Lens
250.0-560.0 mm f/5.6
Aperture
f/5.6
Shutter
1/400 s
ISO
400
Focal length
390 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

Numbla Vale Cottage stands in open country in the Snowy Monaro region of rural New South Wales, its timber walls leaning gently under years of weather, paint peeled back to bare grain. The corrugated iron roof has turned the deep red-brown that comes only with serious age. Nothing about the structure announces itself. It simply stands, quietly, in a wide and silent landscape. The NSW State Heritage Inventory records Numbla Vale as a listed locality, placing it within a region that carries one of the densest concentrations of nineteenth-century rural heritage in New South Wales. The Cooma-Monaro Local Environmental Plan 2013 lists 230 heritage items across the district. Most of the structures in the A Place to Call Home series sit outside formal protection entirely, on private pastoral land where no heritage listing applies and where collapse is the only likely outcome. Cottages of this type were the physical result of the Robertson Land Acts of 1861, which opened Crown land to free selection at one pound per acre. Selectors could take up to 320 acres, pay a deposit of five shillings per acre, and settle the balance over three years, with a residence requirement attached. In practice, the land was hard and the economics harder. The 1890s brought drought, rabbit plague, and a collapse in wool prices that halved sheep numbers across New South Wales. The Snowy Mountains Hydro-electric Scheme, constructed between 1949 and 1974, inundated thousands of hectares of Monaro farmland. The 1991 collapse of the Wool Reserve Price Scheme took prices to around three dollars per kilogram. Each wave left more buildings empty. Timber walls like these were typically split from local eucalyptus, maul and wedge driven along the grain, the slabs dropped between grooved posts or set vertically against wall plates. A competent settler could put up a basic hut in two to three weeks. Roofing moved from bark to wooden shingles to galvanised iron as circumstances allowed; by the time iron appeared, it was usually there to stay. Photographed in 2018 as part of the A Place to Call Home series, which documents 59 subjects across the Snowy Monaro and Hunter Valley regions. This is what remains.

04 FROM THE FIELD NOTES

Numbla Vale Cottage stands in open country in rural New South Wales, its timber walls leaning gently under the load of seasons, paint stripped back to bare grain. The corrugated iron roof has gone the deep red-brown of old rust. Structures like this one were built by selectors working small blocks of Crown land from the 1860s onward, erected in a matter of weeks using split timber and galvanised iron. This one has long since been left to the landscape around it.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
08 BY POST · NO SPAM

Read the full story

Articles when they're published. The history behind a place. The day of a shoot. The work between prints. No marketing, no schedule.

You're subscribed.