Old Timber Home
Provenance
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Settings
- 300mm · f/6.3 · 1/320 · ISO 125
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
Timber slab walls, split and weathered, stand at irregular angles as the structure yields to its own weight. The roof has partially collapsed, leaving rafters exposed to the sky. Timber framing remains visible through the failed sections. Dry grass crowds the base of the walls. No fittings or furnishings remain.
Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.
Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.
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In situ





Print datasheet
- Title
- Old Timber Home
- Series
- A Place to Call Home
- Catalogue
- PCH-025
- Process
- Giclée
- Captured
- 22 December 2018
- Camera
- NIKON Z 7
- Lens
- 180.0-400.0 mm f/4.0
- Aperture
- f/6.3
- Shutter
- 1/320 s
- ISO
- 125
- Focal length
- 300 mm
- Paper
- Ilford Galerie Smooth Cotton Rag 310 gsm
- Paper size
- 290 × 200 mm
- Location
- Rural New South Wales and ACT, Australia
- Authenticity
- C2PA verified provenance →
- Recognised by
- Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
About this print
The frame is going. Weathered slab timber pulls apart at the joints, and the roof has given way in sections, letting the sky in where a ceiling once held smoke from a wood fire. Buildings of this type were the physical wager of the selector period: a family, a block of Crown land, and a hut that a capable hand could raise in two to three weeks using a maul, a wedge, and a broadaxe. Across the Snowy Monaro and Hunter Valley, 59 of these structures were documented between 2016 and 2019, each one sitting outside formal heritage protection and following the same trajectory as collapse.
Brett Patman
The series
A Place to Call Home
A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.
Print sizes
The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.
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