Reclaimed Home

Provenance

Camera
NIKON Z 7
Lens
250.0-560.0 mm f/5.6
Settings
420mm · f/8.0 · 1/500 · ISO 640
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm

Sunlight falls across a decaying interior through a broken window. Vines cover the walls and spread across the floor. Timber surfaces show advanced weathering. The room is otherwise empty, contents long removed.

Edition
Open edition

Open edition
Printed to order, no fixed quantity. Each print is hand-signed by the photographer.

Limited edition
A fixed number of prints exist. Once sold, the edition closes permanently. Each print is individually numbered and signed.

$100.00 AUD
Size
Type
Colour
Signed, numbered, with COA. Made to order in 5 to 10 business days (unframed). Shipped in protective packaging with edition certificate, paper-stock reference and a printed care guide.
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In situ

Reclaimed Home at A Place to Call Home, unframed print displayed in situ on a wall.Reclaimed Home at A Place to Call Home, white-framed print displayed in situ on a wall.Reclaimed Home at A Place to Call Home, black-framed print displayed in situ on a wall.Reclaimed Home at A Place to Call Home, raw timber-framed print displayed in situ on a wall.Reclaimed Home at A Place to Call Home, glass print displayed in situ on a wall.
01 PROVENANCE

Print datasheet

Title
Reclaimed Home
Series
A Place to Call Home
Catalogue
PCH-017
Process
Giclée
Captured
21 December 2018
Camera
NIKON Z 7
Lens
250.0-560.0 mm f/5.6
Aperture
f/8.0
Shutter
1/500 s
ISO
640
Focal length
420 mm
Paper
Ilford Galerie Smooth Cotton Rag 310 gsm
Paper size
290 × 200 mm
Location
Rural New South Wales and ACT, Australia
Recognised by
Highly Commended in Multimedia at the 2016 National Trust of Australia (NSW) Heritage Awards
03 THE STORY

About this print

A broken window is doing what broken windows do: letting in light and letting in everything else. Vines have worked their way across the floor and up the walls, filling the room with the kind of slow, patient growth that takes years to reach this point. The timber surfaces are well past weathered. Whatever was left inside is gone. What remains is the structure itself and the plants that have decided it belongs to them now. The dwelling is one of the abandoned rural homesteads photographed across New South Wales between 2016 and 2019 for the A Place to Call Home series. The series spans the Snowy Monaro region and the Hunter Valley, documenting 59 subjects: family homesteads, shearers' quarters, drovers' huts, and pastoral outbuildings. Most sit outside formal heritage protection. The alpine huts further into the high country have volunteer organisations and parks staff looking after them. Town buildings have local environment plan listings. These structures, on private pastoral land between those two categories, largely do not. The buildings in the series represent the full arc of rural settlement across the region. The Robertson Land Acts of 1861 allowed selectors to claim up to 320 acres of Crown land at £1 per acre, with a requirement to live on the land for three years. Of the 62,000 selections taken up across New South Wales between 1861 and 1884, only about one third were genuine. The rest were dummy selectors, speculators, or squatters buying back their own runs. The families who did stay built their homes in slab timber, stone, and eventually galvanised iron, and worked the land through the drought and rabbit plague of the 1890s, the displacement caused by the Snowy Mountains Hydro-electric Scheme in the 1960s, and the collapse of the Wool Reserve Price Scheme in 1991. Each of those events left more buildings standing empty. This photograph, made in 2018, records what one room looks like when the family has been gone long enough for the vines to finish moving in.

04 FROM THE FIELD NOTES

A broken window lets in the only light, and the vines that have worked through the walls and across the floor have been doing so long enough to look like wallpaper. The dwelling is one of the rural homesteads photographed across New South Wales for the A Place to Call Home series, buildings that housed selector and grazing families across the Snowy Monaro and Hunter Valley. The Robertson Land Acts of 1861 gave families the right to select up to 320 acres of Crown land; many took the gamble, built their homes in slab timber and galvanised iron, and worked the land until the drought, the wool price, or the next generation made staying impossible.

Brett Patman

A Place to Call Home

The series

A Place to Call Home

2015–2020 · 60 photographs

A series of rural homesteads from the Snowy Monaro region of southern New South Wales, with a few from the Hunter Valley. Most were family homes left behind when a generation moved to town; others when the land could no longer be worked. The buildings are smaller than the industrial sites that anchor most of Lost Collective and tend to be older. Most are timber-framed.

View all in this series →

05 SIZE GUIDE

Print sizes

The anatomy view shows what this finish is as a physical object: paper margin, mat band, frame depth, acrylic profile. The comparison strip shows how each size sits relative to the others at true scale. Click a size or a finish to update both.

Anatomy · true ratio
TypeSizeWidthHeight
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